Sabine Bail

A pair of bumbling French cops team up to take on the underworld.

Bettina Rheims and Serge Bramly's Rose, c'est Paris is both a photographic monograph and a feature-length film. This extraordinary work of art, in two different but interlocking and complementary formats, defies easy categorization. For in this multi-layered opus of poetic symbolism, photographer Bettina Rheims and writer Serge Bramly evoke the City of Light in a completely novel way: this is a Paris of surrealist visions, confused identities, artistic phantoms, unseen manipulation, obsession, fetish, and seething desire.

A married man in his fifties who has lost all interest in his wife suddenly meets Juliette, a young woman. She reignites love in his life but triggers violent arguments with his wife. Their indifference soon turns into chaos. (French with English subtitles)

A very interesting thriller about the coming of age of a troubled young man searching his place in this world. Teenage boy Jonathan (Fabien de Marchi) is having a hard time living with his father and stepmother. On a whim, he steals some money and embarks on a journey of forbidden pleasures. He spends the night in abandoned building and wakes up bound and is held prisoner by Antoine (Johan Libéreau), a young drug dealer wanted by the police. The two boys forge an ambiguous relationship between violence, compassion and fascination. Victim, Jonathan ends up taking a liking to his tormentor.

Eastern and Western culture collide in this poetic tale of infatuation and self discovery.

Max wakes up one morning and discovers that his wife Hélène has left him in his sleep, without a word, taking their two children with her. He doesn't understand. The nights drag on, his demons get involved, he chooses to face them and to anchor himself in reality. He probes his feelings, revisits from top to bottom the artifice of his life. Max ends up rediscovering his love for Hélène and decides to win her back. But isn't it already too late?

Eddie, Dov, and Yvan are back, still working in Paris' Sentier textile district, This time they're confronting the high-stakes world of large distribution after striking a deal with Eurodiscount, a European hypermarket chain.

Oulage has it all planned: New Year's eve, at the stroke of midnight, he'll finally kiss Brigitte, the girl he's madly in love with. That'll be the moment, because Brigitte is having a costume party. Oulage has it all planned—except for the fact that Brigitte has also invited a gang of truly parasitical friends: an old girl friend who never leaves Brigitte's side, a manic-depressive police officer, a paranoid psychopath, a cannabis-addict suffering withdrawal pains, a stunning Cuban woman on the prowl for immigration papers, and many others who do everything to ruin Oulage's life.

Il Tempo Dell'Amore (A Time to Love) is an omnibus film of three different love stories that take place in three different eras and locations. The common element is the theme: love causes a lot of pain.

The central role of Louise is portrayed by Elodie Bouchez, who won a 1998 Cannes "Best Actress" award for The Dreamlife of Angels. When Louise has an encounter with homeless Remi (Roschdy Zem), they have a magnetic attraction, but she is already attached to illiterate shoplifter and pickpocket punk Yaya (Gerald Thomassin). Although allied with Yaya in petty crimes, Louise lives with her widowed father (Lou Castel), a devoted writer of fiction. After a Metro bum (Bruce Myers) tells her of his desire to see his young son, she plucks the kid, Gaby (Antoine de Merle), right out of school, making him the newest rookie recruited into their subway gang. Shoplifting in a department store, the young toughs escape the store's security guards by hiding in the ballet rehearsal rooms of the nearby opera. But does Louise really belong with the subway toughs, or is she just pretending? When she's arrested, Louise is forced to reexamine her lifestyle.