Louis Leubas

No plot available for this movie.

The Crushed Idol is a 1920 French silent drama film directed by Maurice Mariaud and starring Lina Cavalieri.

silent film with Lina Cavalieri

If you’re already familiar with Louis Feuillade, his little-known opus Vendémiaire may come as a surprise. Unlike the bulk of his work which was characterised as ‘Fantastic Realism’, Vendémiaire is wonderfully down-to-earth realism – or down-to-French-earth realism to be specific. The film itself is divided into four chapters, the titles of which suggest that this is a movie about the cultivation and consumption of wine. But as the narrative unfolds, it becomes clear that the cultivation and consumption of wine is an allegory for French culture and French land as a whole, and the real purpose of the film is to persuade the director’s fellow citizens to defend that spirit and those lands at all costs. It’s September 1918 and the war is coming to an end, but here on the Castelviel estate in the south of France the news has not yet arrived and everyone is busy with the grape harvest....

Mme de Calvières (Sylvia Lux) and her brother Roger (Édouard Mathé), due to an unpaid debt, fall into a difficult situation.

Jacques d'Athys, a French adventurer, returns to his home in Nice after an expedition to Indochina where he has picked up a Eurasian fiancée and a book that, unbeknownst to him, contains a coded message revealing the whereabouts of both secret treasures and sensitive government intelligence. This makes him the target of foreign spies, including a Marquise of mysterious Latin origin, a Hindu hypnotist and an evil German doctor, who will stop at nothing to obtain the book.

Directed by Louis Feuillade.

After falling in love with a young man (Edouard Mathé), Lilie/Lily abandoned her family and eloped, only to comes back with an illegitimate child.

A continuation of the film series "Judex" the masked fighter for justice.

With the help of Lévesque and Musidora, Feuillade creates a light-hearted meta-fiction, self-parodying his own work.