Rosalind Elliot

When Henry James Prince is dismissed from his post as a curate, he decides to found his own religion, called the Abode of Love.

Presumed lost after its initial broadcast in 1975, Thwum features a young Pete Postlethwaite in his earliest television appearance. This sci-fi themed play sees UFO fanatic Bernard (Paul Moriarty) trying to convince skeptical reporter Duffy (Pete Postlethwaite) to report on the imminent landing of an alien craft. An almost complete copy – two minutes are missing – was recovered from a domestic video recording kept by director Pedr James. [adapted from wearecult.rocks] Part of the anthology series Second City Firsts.

Alfie meets his romantic match when the modern-day Casanova falls in love with a career woman. Alfie soon realises that Abby, a magazine editor, is just as romantically ruthless as he is.

The story concerns Susie, a transgender bartender, dealing with four patrons who stumble into her place of work. Susie grows wary of the two men and the two women, the latter of which are underage, and tension begins to mount and escalate between all of the characters.

Alan Bennett's debut play for television follows the members of a Halifax cycling club, on an outing from Halifax to the ruins of Fountains Abbey. Set in the summer of 1911 and projects an idyllic vision of Edwardian England .

In Paris, in the beginning of the Twentieth Century, Cesar Charron owns a theater at the Rue Morgue where he performs the play "Murders in the Rue Morgue" with his wife Madeleine Charron, who has dreadful nightmares. When there are several murders by acid of people connected to Cesar, the prime suspect of Inspector Vidocq would be Cesar's former partner Rene Marot. But Marot murdered Madeleine's mother many years ago and committed suicide immediately after.

Ken Loach's first production for ITV, shown under the 'Sunday Night Theatre' strand (originally broadcast 18th July 1971). After a Lifetime is something of a neglected, social realist masterpiece that focuses on two brothers, brought together by the death of their father, reflecting on his life of militancy and political activism. At the time critic Nancy Banks Smith called it ‘brilliantly funny, and moving with a sort of subterranean rage’. Smith himself plays the older brother with a brilliant, raw emotion.

A serial killer who drains his victims for blood is on the loose and London police follow him to a house owned by an eccentric scientist.

An asocial and enigmatic office clerk refuses to do his work, leaving it up to his boss to decide what should be done with him.

In 1908 London, a women's rights campaigner discovers the Assassination Bureau Limited, an organization that kills for justice. When its motives are called into question, she commissions the assassination of its chairman. Knowing that his colleagues have recently become more motivated by greed than morality, he turns the situation into a challenge for his board members: kill him or be killed.