
Hoot Gibson was a colorful figure, a light-hearted, fun-loving personality on screen and off. Hoot’s cheerful westerns included a significant amount of comedy. His mild, peaceful character rarely carried a gun. As an expert horseman, Hoot was always impressive on a galloping horse. Gibson’s film career began in 1910 with a few films for the Biograph Company interspersed among rodeo competitions. ...
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A Western-genre narrative, loosely woven from old clips from B-Western features.

Danny Ocean and his gang attempt to rob the five biggest casinos in Las Vegas in one night.

A Union Cavalry outfit is sent behind confederate lines in strength to destroy a rail supply center. Along with them is sent a doctor who causes instant antipathy between him and the commander. The secret plan for the mission is overheard by a southern belle who must be taken along to assure her silence.

To fully appreciate the western comedy The Marshal's Daughter, one must be aware that its star, a zaftig, wide-eyed lass named Laurie Anders, was in 1953 a popular TV personality. A regular on The Ken Murray Show, Anders had risen to fame with the Southern-fried catchphrase "Ah love the wi-i-i-ide open spaces!" Striking while the iron was hot, the entrepreneurial Murray produced this inexpensive oater, which cast Anders as Laurie Dawson, the singing daughter of a U.S. marshal (Hoot Gibson). Teaming with her dad to capture outlaw Trigger Gans (Bob Duncan), Laurie briefly disguises herself as a masked bandit. Amidst much stock footage from earlier westerns and a plethora of lame jokes and dreadful puns, The Marshal's Daughter is a treat for trivia buffs, featuring such virile actors as Preston S. Foster, Johnny Mack Brown, Jimmy Wakely and Buddy Baer as "themselves."

A couple on board a plane find themselves mixed up in a plot to steal atomic secrets.

This one finds Jack Slade and Mary Conway,alias Blanche, being recognized as known and wanted crooks by deputy marshal Harry Stevens and, when he orders them out of town, Slade kills him. His son, Bob Stevens and friend Parkford become U.S. Marshals and proceed to rid the town of the cut-throat gang that has been terrorizing the citizens. Bob goes undercover as an outlaw and works his way into the gang, while Hoot poses as a Dude who goes about making fiery speeches on behalf of law and order.

Carl Beldon has disappeared and the Trail Blazers have been sent to investigate. Arriving in town, they find that 'Honest John' controls everything. He even prints his own money. He also has a gang and they set out to finish off the heroes.

Learning that Montana is about to become a state and that property values will rise rapidly, Caldwell is using his outlaw gang to force the ranchers off their land.

US marshals Ken, Hoot and Bob stop a gang dressed as Indians from robbing the stage. After getting repairs at the relay station, but before they get to town, another trap is set, but they get away. In town, they search the stage and find nothing. But hidden in the axle grease can are diamonds. Polini wants them cut into smaller diamonds so that he can easily dispose of them. Throughout this Western, the courageous trio faces off against cunning opponents, including the gang's merciless leader (Ian Keith) and an unsuspecting banker (Karl Hackett).

Hoot Gibson and Bob Stanley ride into Arizona seeking the killer of Bob's father, who managed the stagecoach line in Eggleston for Kelso McGuire.
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