Angela Punch McGregor

In a rural Australian town, a sick Mother fears unspeakable evil will soon snatch her 11 year old daughter, Violett. As bizarre visions and disturbing characters from the neighborhood emerge, Sonya is about to discover more than just one grisly truth.

This is the story of a fateful encounter and the life-changing choices that led to one of Australia's and the world's most recognisable and romantic love stories.

Tom White is an architect who chooses to become homeless despite an seemingly otherwise successful life. However, it soon becomes clear that not everything is as it appears at work. Tom chooses a different path and cuts ties with his normal life.

A disturbed young woman runs away from her New Zealand home and hides away in an Australian boarding house, named Terra Nova. There she finds that every one else in the boarding house is just as zany as she is, and on some levels make her seem sane despite the voices in her head and her strange visions.

Wallace is an efficiency expert, managing the high-profile downsizing of a major auto parts factory. But when he is hired to evaluate a small moccasin factory which seems from another era, Wallace has to reconsider the rapid modernization he advocates, as he is confronted by the human faces such plans hurt.

A small town in Australia, in the late 1950s: Brownie and Lola are deeply in love. But because they are under-age, their parents are against their relationship and try to separate them.

This is an adaptation of the novel "The Hunchback of Notre Dame" by Victor Hugo, produced by Burbank Films Australia.

The story about a baby swap in 1945.

A man tries to rehabilitate his alcoholic friend by entering them both into the Australian national rowing championships.

It tells the story of a young female social worker who begins work at a hospital for retarded children, and discovers that some of the psychological problems attributed to these children are incorrectly diagnosed. Proving this to be the case is difficult, however, as it is generally accepted that as those who are 'profoundly retarded' cannot communicate, therefore they cannot think. In the case of Annie O'Farrell (Tina Arhondis), finding a way for her to 'talk', other than speaking or writing, finally shows that she is not only able to think, but is highly intelligent. The battle against the hospital to acknowledge this in a legal sense goes to court, as the psychiatrists try to hide their misdiagnosis.