Vittoria Puccini

Perugia. The police are carrying away the body of a young woman when they hear a sigh: Rosa Lazar is still alive. The assistant district attorney Cristina Camponeschi and psychologist Stefano Mangiaboschi investigate, but Rosa seems unaware of the attack she has endured and hides the truth. For Cristina, the girl is the key to an international crime ring; for Stefano, the start of an inner journey that will lead him to reveal the true enigma of Rosa Lazar.

A vividly interwoven tale of secrets and connections, Il rumore delle cose nuove centers on three families whose lives have quietly overlapped in the streets of Milan—unaware of each other—for years. Andrea, a photographer, and Andreina, a nurse, share a haunting truth: Andreina has given a part of herself to keep Andrea alive. Umberto finds solace in alleviating others’ pain at work, yet at home he inflicts suffering upon Alba, once hopeful, now dreamless. In another household, Ralph, who crafts sounds, and Viola, an actress who yearns to live as freely as she performs, are quietly struggling—alongside Mirko, a ten‑year‑old whose presence echoes loudly. As the story unfolds, their ordinary routines unravel under the weight of these “noisy” secrets—some seemingly trivial, others utterly unbearable. Chaos tumbles over the fragile bonds holding them together, forcing confrontations with truths they can no longer ignore.

A love coach helps six different people navigate their insecurities and emotional difficulties, guiding them toward greater emotional awareness.

No plot available for this movie.

On a first date in Rome, the inner voices of recently separated Piero and furniture restorer Lara speak aloud, exposing the true thoughts and anxieties hidden behind their conversation.

On his deathbed, Ludovico entrusts his daughter Margot to the housekeeper, Felicia, asking that the family villa be transformed into an orphanage so that the little girl can grow up in joy with other children. But the wicked Felicia only wants the little girl's assets and not take care of her. With the complicity of her suitor, Max, she exploits the orphaned children and keeps Margot segregated and neglected to the point that the child withdraws into herself and no longer speaks. One night, however, Margot manages to escape and, after overcoming the darkness of the woods, she comes across a circus.

Pietro is a revered teacher, Teresa his brilliant and precocious student. Their affair is both illicit and tempestuous. After one fight, Teresa suggests that each tell the other a secret, one so shameful or shocking that were it to be made public, it would destroy that person’s life. Time passes, Pietro’s stature as a writer grows and his family settles into the comfort of a bourgeois life. But he is haunted by the possibility that Teresa may one day reappear and tear apart his world with the secret she knows.

A couple in crisis after the birth of their first son rekindles their love during a trip to Norway.

In the exact moment they hit rock bottom, four strangers are visited by a mysterious man who gifts them a week to see how the world would be without them.

In a dystopian present/future, women have become extinct. It is a world of male hunters, where even the memory of the femicide they committed is punished. The three male protagonists are locked up in a closed space because they are infected by the memory. It is poetic justice.