
Jim Sheridan (born 6 February 1949) is an Irish film director. A six-time Academy Award nominee, Sheridan is perhaps best known for his films My Left Foot, In the Name of the Father, Get Rich or Die Tryin' and In America. Description above from the Wikipedia article Jim Sheridan, licensed under CC-BY-SA, full list of contributors on Wikipedia
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In a fictitious trial, twelve members of a jury must decide whether journalist Ian Bailey is guilty of the 1996 murder of French filmmaker Sophie Toscan Du Plantier. Based on real events, the film reconstructs, through the discussions between these twelve people, a case that ultimately invites the viewer to draw their own conclusions.

Set in 1301 at the end of Medieval times, our most famous star-crossed lovers turn the tides on the history Shakespeare based his own story on, as they reveal the truth to the very future of the Empire. But the biggest twist in this most beloved of tales, is leaving the poetry of Iambic Pentameter in the past, for the original pop music that rockets these ever-present themes right to the heart of our characters in the most surprising, and perhaps most powerful way that has ever been seen, or heard, before... The greatest love story of all time, set to the greatest music of our time.

A candid and revealing insight into the private life and public career of Richard Harris. One of the most remarkable actors of his generation, the documentary explores Harris’s complex and, at times, contradictory character. Each of his three sons — Jared, Jamie and Damian — brings their own perspective to bear as they summon the ghost of their late father to the screen.

Actor Adrian Dunbar has played Brendan Behan on the stage many times, and now sets out on a journey to discover the real story of the poet and playwright. He travels to all the cities Behan lived in, to places where he is still highly regarded, including the one where it all began for him as a poet – Paris.

Dreaming the Quiet Man’ includes interviews with aficionados of Ford like, Martin, Scorsese, Peter Bogdanovicz, Jim Sheridan, William Dowling, and Joe McBride. There is mesmeric archive and rare photographs of the making of the film. The main location of the documentary is Ford’s ancestral homeland of Connemara, on the west coat of Ireland, where his parents were born. We meet Ford’s cousins, the Feeney’s who tell the story of Ford’s parent’s departure from Ireland after the Great Famine and the young Ford’s return to Ireland in 1922 to visit his cousins the Thornton’s and saw their house being burned down by the infamous Black and Tans. Ford, under the pretense of scouting locations for a movie, gave money to the IRA. We travel to Portland Maine where Ford grew up and went on to become a director in the first bloom of Hollywood. The boy made it good but Ireland was always on his mind.

A spirited 7-year-old, growing up in Dublin in the 1970's, can't wait to make her Catholic Holy Communion. The only problem is - she's a Jew.

Muide Eire / We are Ireland documents the history of Ireland on screen. From the horse drawn carriages of Dublin's yesteryear, to the latest summer blockbuster, this film takes an intimate look at film making in Ireland - as a visual expression of Irish culture, celebrating contemporary filmmakers in both the Irish and English languages. From the glamour of the red carpet to behind the scenes 5am starts, We are Ireland invites the viewer into this world where art and industry exist in delicate balance. The heart of this documentary is our investigation into representations of Ireland and the Irish - how the Irish have been viewed abroad, and how we represent ourselves on screen.

Two struggling stuntmen decide to write their own script.

In 1714 Peru, a friar is tried by the Spanish Inquisition for questioning God's intentions when five die in the collapse of an Andean rope bridge.

A carpenter repairs what he believes to be his wife's inadequacies.
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