Makram J. Khoury

A writer in 1930s Moscow has his work banned and is expelled from the official union, leaving him without income. He then writes a novel about a mysterious dark visitor and gradually starts confusing his real life with the story.

Mourning her mother’s death and struggling to adjust to her new life in Israel, a young girl bonds with the lonely spirit of a Palestinian child.

A fisherman's son is offered the ultimate privilege to study at the Al-Azhar University in Cairo, the epicenter of power of Sunni Islam. Shortly after his arrival, the university’s highest ranking religious leader, the Grand Imam, dies and the young student becomes a pawn in a ruthless power struggle between Egypt's religious and political elite.

Three religions. Two men. One mission. Ben has gone off into the desert. In order to escape the matchmaking attempts of his family in Jerusalem, he agrees to fly to Alexandria to save what was once the largest Jewish community in the world, which is desperately short of a tenth man to celebrate Passover. When Ben misses his flight and is subsequently thrown off a bus in the Sinai Desert, a grumpy Bedouin in search of his lost camel becomes Ben’s only hope.

In the Druze mountain villages between Syria and Israel, Kamel, a respected sheik, must make an impossible decision between family and duty when his estranged brother returns to the Golan Heights after 47 years in exile.

The film was shot entirely in a nightclub, with an adjoining contemporary art gallery, whose customers are both Israelis and Palestinians, in one of Israel’s most open cities, Haifa. A long night in a place where the most diverse people meet: Jews, Muslims, gays, heterosexuals, transvestites; and three women, who in that multifaceted microcosm, a gathering peaceful hideout, can find shelter from male bullying and arrogance.

A young operative is sent on a mission to follow an older agent who's behavior has come into question.

Fifty years after Slow Down by Avraham Heffner won a prize at Venice Film Festival, top alumni of the Jerusalem Sam Spiegel Film School challenge the 1968 legendary black and white

Gitai pays homage to Albert Camus and explores the return to Palestinian villages while interjecting texts by Izhar Smilansky, Emile Habibi, Mahmoud Darwish, and Amira Hass.

Eleven-year-old Wardi’s great-grandfather leaves behind a will suggesting looking to the past to find the future. Searching the house, Wardi finds out about her Palestinian homeland from family memories.