Norbert Terry

Between 1975 and 1983 a new kind of film could be seen in French cinema : home-grown gay pornography. The films were shot in 16mm and most of them were passed and given certificates by the CNC (National Cinema Centre). They were screened in a small number of Parisian cinemas dedicated to gay pornographic films : Le Dragon, La Marotte and Le Hollywood Boulevard as well as several in the provinces. They were essentially the work of three production companies : Les Films de La Troïka (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 "Mon ami, mon amour (My friend, my lover)". Since then, gay pornography has not been screened in French cinemas. This film is the result of five years of painstaking research and investigation. It features extensive interviews with the directors and actors illustrated by numerous extracts from their films.

A handsome young stud rides his motorcycle through a myriad of sexual encounters, from a soccer game’s locker room to a dreamy and unsettling orgy where the film reaches its melancholic peak.

When a French kid leaves home for the first time, he's at the mercy of every hot number he meets.

Patrick, a young soldier in the French Foreign Legion wants to see his secret gay lover, so he lies to his Commanding Officer and tells him he needs a special leave for a wedding. Hijinks ensue when the C.O. sends two of Patrick’s fellow soldiers with him and orders them to return with photographic proof of the wedding.

Disguising himself as a geisha and introducing himself as Madame Mufiko, a certain Max Fox opens a school in Paris where he proposes to teach the Japanese art of love. He recruits a few students, boys and girls, to whom he teaches to imitate the positions represented on old prints. The young people set themselves to it with such ardor that soon the girls are pregnant. In addition, the school is put under police surveillance and the false Mufiko sees her true identity revealed.