Birgitte Federspiel

Due to a failed séance of her flat mate's quirky grandparents, the cat of law student Maria gets possessed by demonic powers and starts some horrible massacres, adding even more trouble to Maria's already complicated personal situation after the split from her boyfriend Henrik.

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The second film of the trilogy, "It is forbidden for children". The family is pushed into depression and the heavy drinking mother Skrubsak does not help.

7-year old Ida has to take care of her kid brother Skrubsak, feed the family and keep the child welfare officers at stake. Ida's father has left the family for another woman, and so far Mum has found consolation in the bottle. The second of Jesper W. Nielsen trilogy: Buldermanden, Lykkefanten and Ogginoggen.

Ida and her family are recovering from the divorce. She is looking forward to the upcoming dance contest. She is also growing up and developing romantic urges of her own. But she doesn't have good memories of romance. The third of Jesper W. Nielsen trilogy: Buldermanden, Lykkefanten and Ogginoggen.

Young vicar Mr. Paul arrives at the Faroe Islands to take up a benefice, and meets the young Barbara, twice married to vicars, and with both husbands laid cold in the grave. Despite the warnings of the surrounding community and his own religious scruples, he falls victim to Barbara's at once innocent and sinful charm. The appearance of the charming and gallant Andreas Heide in Thorshavn puts their love to the severest of tests.

The first of Jesper W. Nielsen trilogy: Buldermanden, Lykkefanten and Ogginoggen. Ida and her little brother are visiting their strict grandmother who threatens them with the bogey man if they are not kind. When Ida's little brother gets a toy dog from her grandmother, Ida becomes jealous and lures the brother to show the dog for the bogey man.

Nielsen is a quiet, respectable man who has always worked at the same bank and is turning 60 today—but he is also a man with a secret, a passion. Only when he meets Frank, a different kind of energetic taxi driver, does he manage to take control of his own life again and come to terms with the past that has held him back.

Torben Skjødt Jensen’s elegant documentary is a collage of memories and reflections on one of cinema’s greatest directors. Visually rich and densely layered, Carl Th. Dreyer—My Metier illuminates an artist too little understood and too important to overlook. Through interviews, historical writings, and rare archival footage, a portrait of Dreyer emerges: an austere perfectionist, yes, but also a passionate man possessing a genuine sense of humor.

A pair of octogenarians meet, fall in love, and have a passionate love affair, much to the horror of their disapproving children.