Elit İşcan

Flora leaves. Antonis gets left behind. Elit moves in. Benni and Caro can’t seem to move on. In the classrooms, cafes, bars and train stations of an unnamed German city, the lives of several young people intersect.

The marriage of Derya and Aziz is under pressure after losing their jobs because of state arbitrariness and moving to Istanbul to live with Aziz's parents. They and their 13-year-old daughter Ezgi have to redefine their way of life.

Filiz, a young, working mother, struggles with postpartum depression. Seeking moments of escape, she sets out to buy ‘a car of her own.’ Along the way, Filiz meets Şule, and her search for a car turns into an unexpected bond, offering both women a chance at solidarity.

Zeynep arrives from New York to a small town on the coast of Turkey with her American husband. She returns to a family that is broken- parents who are divorced and a younger sister who has become estranged. The troubled family embarks on a week-long sailing trip, meant to be a last chance for Zeynep’s father Yusuf, a dissident journalist being prosecuted by the government, to reconnect with his daughters before going to prison.

Late-night talk show host Max Baumbacher turns world-famous after waking up with an unusually deep, almost magical voice.

Haluk, an incompetent factory owner, competes with his wife and skillful operations manager Güler. As the power crisis between the husband and wife escalates, someone unexpected will suffer from it in a most tragic way.

Derya, an academic, is in denial about her feelings for Esma, the daughter of the caretaker in her apartment building. Wavering between fantasy and reality, Derya’s relationship with Esma has reached the end of the line.

25-year-old Sibel lives with her father and sister in a secluded village in the mountains of Turkey’s Black Sea region. Sibel is a mute, but she communicates by using the ancestral whistled language of the area.

In this stylish and ruthless satire, a famous performance artist faces an unexpected crisis when real-world political matters complicate her latest impeccably provocative and eminently bankable piece.

The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.