Joseph James Dante Jr. (born November 28, 1946) is an American filmmaker, producer, editor and actor. His films—notably Gremlins (1984) alongside its sequel, Gremlins 2: The New Batch (1990)—often mix the 1950s-style B movie genre with 1960s radicalism and cartoon comedy. Dante's output includes the films Piranha (1978), The Howling (1981), Explorers (1985), Innerspace (1987), The 'Burbs (1989), ...
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When a mysterious gateway between dimensions unleashes a horde of nasty little creatures into Vuokatti Ski Resort, Zach and his friends’ dream holiday takes a turn for the terrifying. What was supposed to be an epic party—filled with sex, drugs, rock ’n’ roll, and Hollywood legend Christopher Lambert—spirals into pure chaos as the Creeps run wild. Now, Zach must rise to the occasion, battle the pint-sized terrors, and prove that being a hero isn’t so different from the ‘80s movies he worships.
Featuring commentary from surviving participants, as well as other filmmakers and critics, this documentary chronicles the career of director John Boorman and the tumultuous production of his film Exorcist II: The Heretic, exploring its critical and commercial failure, how it changed the industry, and the importance of risk-taking in art.
The Legacy of Vincent Price, the first feature-length documentary about the Master of Menace, explores the man behind the legend through conversations with his family, friends, colleagues, historians, and fans.
The ultimate deep dive into the world of shark cinema: filmmakers, critics, scholars and conservationists explore the weird, wild cinematic legacy of sharks on film and audiences' undying fascination with these misunderstood creatures.
Aristocratic Italian roots, a close family connection to James Bond novelist Ian Fleming, wartime experiences in the British and Finnish military, post-war Nazi-hunting adventures and a side career as a heavy metal rock singer. And one of the most iconic actors of all time.
A look at Hammer’s progression from a back office in London’s Regent Street to its iconic status within the horror film genre. The company, started by comedian and businessman William Hinds in 1934, made films such as The Curse of Frankenstein, Dracula, and The Quatermass Xperiment during the period for which it is best known, making stars out of the likes of Christopher Lee and Peter Cushing.
A documentary film that delves into the life and cinematic career of one of Japan's most prolific directors: Ishiro Honda. The film will spotlight Honda's filmography from both a historical and personal perspective, exploring his contributions to the Japanese film industry and his firsthand experiences of war, from which he barely survived. It will also delve into his profound feelings regarding the atomic bomb, a subject that became an obsession for him and was frequently reflected in his films. The documentary will analyze Honda's body of work through interviews with individuals who had the privilege of collaborating with him, as well as experts on Honda's films from both Japan and the Western world. Furthermore, the film will uncover Honda's friendship and professional relationship with director Akira Kurosawa.
The conclusion to the ‘In Search of Darkness’ '80s trilogy. In this epic final chapter, our focus turns to the straight-to-video horror classics that populated the bottom shelves at the video rental store. Imaginative, gory, experimental—but always entertaining—these hidden gems are ripe for rediscovery.
South African enfant terrible filmmaker and artiste-cineaste Manus Oosthuizen meets with Rotten Tomatoes-approved indie film critic Babette Cruickshank in an Echo Park sound studio. With key members of Manus's crew joining, they record an audio commentary track for his new elegiac feature documentary Razzennest. But the session goes down a different path... cazzart! The ultimate elevation of arthouse horror, just not as you might expect.
The story of the making of Soylent Green, a masterpiece of social science fiction, released in 1973. Directed by Richard Fleischer and starring Charlton Heston and Edward G. Robinson, it deals not with an exogenous threat, such as an extraterrestrial attack, but with the dire consequences of an irreversible environmental catastrophe for which mankind alone is responsible.
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