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Olivier calls himself a 'statistical miracle'. He is almost 27 years old but the doctors had predicted that, because of the heart disease he was born with, he would not get much older than 25 years. He doesn't seem to be suffering from the threat of death closing in on him. With unbridled energy, he parties, smokes, drinks and dances until deep into the night, and in the morning wakes up in bed next to girls he doesn't even know. His family and friends alienate from him because of this life style, and the fact that he doesn't have long lasting relationships, doesn't bother him. Olivier lives, day by day. Until new medical technologies make it possible to cure him, and a new future opens up to him. Everybody is happy, but Olivier doesn't know how to deal with the expectations and responsibilities of his new life.

Edgar works as a waiter in 'Het Westen', a restaurant. He is married and has a lover. His neighbors terrorize him with loud music and garbage. One day after he is mistreated by some customers he is sick of it all and goes to talk to his creator, the scenario writer.

Documentary about the Dutch theatregroup the Werktheater. The aim of the company was to create socially relevant theater by means of cooperative processes and improvisation. They often played their performances on location, such as in hospitals, prisons, healthcare institutions and schools. In this documentary, those involved are interviewed about this remarkable theater group.

At the invitation of the Concertgebouw in Amsterdam, the Dutch conductor Jules Coulée returns to the Netherlands to conduct a one-off performance of Third Symphony by Gustav Mahler. Coulée is unpleasantly surprised when he sees that the Concertgebouw is under construction and that the renovations continue during rehearsals. In addition, the acoustics of the hall are terribly bad and the balcony too close, so that the post horn solo in the third movement cannot possibly come from afar, as the score prescribes. For Coulée, the entire implementation stands or falls with this detail.

A Dutch couple is confronted with the husband's rapid onset of senility during a snowy winter in North Eastern Canada.

A theatre monologue in which a son visits his mother who suffers from Alzheimer's. While the son is talking to his mother's empty bed, the actor dresses up like her and has a conversation with the son. This play was remade as a regular feature film as Hersenschimmen (“ Mindshadows”), in 1988.

Hes, an uptight and disaffected social worker reaching retirement, discovers a young woman, Anna, in the closet of an acquaintance who has committed suicide. Realizing that she has been kept in the apartment all her life, he moves in and helps her comes to terms with the complexities of the real world.

A husband, half of an entertainment duo, the Nellicos, tells his wife, who is the other half of the duo, that he has another woman. But they cannot discuss this as he tells her only just before they are due to perform in front of a large audience. (BFI)

Video registration of the German version of the performance 'Bosch en Lucht' by the Dutch theatre group 'het Werkteater'. 'Bosch en Lucht' was a performance about mentally handicapped children.

A radio-reporter watches a window-washer and they become lovers. Their relationship starts fine but after a while it turns into a power struggle between the two guys of very different background and interests.
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