
Samuel Hamilton Miller MBE, is a motorcycling legend. A Northern Irish motorcycle racer, Sammy Miller earned acclaim as a championship winner in both road racing and trials. His many achievements speak to a lifetime of utter dedication to motorcycling, derived from his relentless pursuit of perfection and thirst for success that would never allow him to settle for second best. His significant cont...
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Feature length documentary exploring the life of legendary racer John Surtees. In a career spanning four decades John Surtees became the first man to win the Isle Of Man TT three times in succession and to this day, is still the only person to have won world championships on both two and four wheels.

Devil at Your Heels, traces the trials of stuntman Ken Carter who attempts a death-defying aerial jump in a car. Not content with a normal jump, Ken Carter attempts a jump from Canada to the USA. This feature-length documentary shines a light on the intense preparation that led to Carter’s first attempt to jump a car across a mile-wide stretch of the St. Lawrence River – a 5-year period during which the dare-devil raised a million dollars, erected a 10-storey take-off ramp and built a rocket-powered car. Winner of the Canadian Screen Award for Best Feature Length Documentary at the 4th Genie Awards in 1983.

At the age of 18, stunt cyclist Eddie Kidd had already broken world records, been a stunt double for Harrison Ford and released a couple of singles. Yet this profile piece for the COI cinemagazine series “This Week in Britain” offers glimpses that his high life had both its ups and downs. A record-breaking jump of 24 cars was to be the big attraction of a May bank holiday at the National Motor Museum in Beaulieu but torrential rain scuppered plans. Kidd returned on the 4th June for a second attempt but with a shoulder injury that you see aggravated here, which prevented a planned second jump and again disappointed audiences. The person tasked with turning all these travails into a light-hearted snippet for overseas audiences was Peter Greenaway, who edited hundreds of stories like this before making arthouse feature hits such as The Draughtman’s Contract (1982).
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