Aisling O'Sullivan

A party entertainer must go to extraordinary heights to escape a house of horror

A teenager lies about his brother's death and struggles to face the consequences that unfold until his domineering father offers the possibility of forgiveness.

Tina, a recently widowed farmer, doesn't want her daughter to move back to the city and leave her alone. When Seamus arrives on the farm talking about a date, she decides to intervene.

12-year-old Mully has lost his mother and discovers his debt-ridden father stealing the charity money they've raised in her name. Grabbing the cash, Mully steals a taxi and is shocked to find a woman, Joy, in the back seat with a baby. A straight-talking solicitor who didn't expect to get pregnant, Joy is struggling with motherhood and planning to give her baby to a friend who will raise the child as her own. She joins Mully on a wild journey across Ireland, stealing cars, hitch-hiking, catching ferries and breaking police barricades.

Three women—two of them sisters—who were once best friends but have drifted apart are catching up over coffee. Over the course of three conversations spanning five years, we learn that they have allowed relationships with their partners to come between their relationships with each other—and gradually, a common secret of tragic consequence is revealed.

Several years after the suicide of a long term girlfriend, David is in a new relationship. However, a chance encounter with the dead woman's sister raises complex questions about just how complicit he was in her death.

While Sandra opens up to a documentary film crew, flashbacks show her teenage son, Stephen, mysteriously kidnapping a toddler, and holding him captive. Eventually, the stories intersect to explain the abduction and the family's three-generation legacy of abuse in this mesmerizing psychological drama.

A dissolute scriptwriter and a dejected actor become unwittingly drawn into a labyrinthine mess when several people experience bizarre accidental deaths in their flat. Though the men didn't deliberately cause any of the incidents, they fear that they will be unfairly pegged as murderers if they relay information to the cops, and promptly set about disposing of the corpses in gruesome ways.

Overwhelmed by grief following the death of his wife, Donnelly shares a train carriage home with a troubled young man identified only as the 'Kid'. As the Kid becomes more agitated and foul-mouthed, the journey takes on a violent and dangerous hue – for the bereaved Donnelly and for other hapless passengers on the train. Academy Award Winner: Best Live Action Short Film – 2005

Two ballet dancers spar over a game of snooker as they wait backstage for their turn in local charity event.