Marie Kremer

A group of young activists breaks into a slaughterhouse, aiming to expose the owners for processing meat unfit for consumption. Armed with cameras, they capture damning evidence until they’re caught by the owner and his security team. What starts as a desperate chase to reclaim the footage quickly escalates into a deadly game.

Alex, 43, is not a man of many responsibilities. He works as a tow truck driver in the car repair garage run with an iron fist by his mother Antoinette. She hopes he will someday take over the business, but Alex manages to consistently prove that he’s not up to the task. One day, he assists a woman whose car broke down and ends up spending the night at her place. The next morning, she is nowhere to be found, and Alex discovers he is alone... with three kids!

One night, Vincent, the father of a family and an overworked employee of an insurance company, loses control of his vehicle and strikes Leo, a young motorcycle, with full force. At the hospital, Vincent is declared dead and Leo is in a coma. When the latter comes out, it is the spirit of Vincent who took possession of the body of the young man. The opportunity for Vincent of a possible redemption to his relatives and an improbable and wonderful encounter, between life and death, with Leo. For the mind of the young man does not take long to resurface.

Jérôme has killed Driss, of Moroccan ancestry, who used to be his best friend. Is it an accident, a drama caused by jealousy or a racist murder? The story of Jérôme's long drift is discovered as the police carry out its investigation.

A biopic of seminal 20th century artist Leonard Foujita, a contemporary of Picasso and Modigliani, who was famous for mixing up European and Japanese styles.

No plot available for this movie.

Jeanne Millet, a director going through a rough patch, heads to the provinces to present one of her first films. Her journey will take her across several boundaries between love and friendship, hope and disappointment, cinema and everyday routine. All these are territories where only kisses and hugs serve as passports.

Arnaud Dubois may be the heir to a bank, but he prefers to call himself Mohamed. Having fallen out with his father, he turns his back on the family residence. On his travels, he meets Mustafa, who introduces him to his sister Sabrina. Having fallen in love with the attractive young woman, Arnaud decides to pass himself off as an ordinary street guy named...Mohamed.

Nathalie, Christophe and Joëlle are in the midst of an existential crisis. Brought together by Selma, 95 and seriously ill, they will spend a memorable summer on the banks of the Moselle. How ironic that the one whom they had intended to help to die should help them to live...

No plot available for this movie.