
Giuseppe De Santis (11 February 1917 – 16 May 1997) was an Italian film director. One of the most idealistic neorealist filmmakers of the 1940s and 1950s, he wrote and directed films punctuated by ardent cries for social reform. In 1942, De Santis collaborated on the script for Ossessione, Luchino Visconti's debut film, which is usually considered one of the first neo-realist films. His third fi...
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The documentary aims to tell the story of a director who managed to capture the attention of the whole world and, due to his political and aesthetic coherence, was able to work much less than he deserved. It's the story of a film professor who earned the gratitude and affection of all his students. The tale of a cinephile who successfully combined social and civic commitment with a spectacular talent worthy of Hollywood.

Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.

A brief tribute to the great director, spanning through some insights about his character, his works, his life, through the words of critics, relatives, colleagues, with a collage technique of interviews, archive footage, and brief excerpts and pictures from some of his works.

A montage dedicated to friends, actors and companions who have passed away over the years: from Francesco Tirone to Paviglianiti, two leading figures in the famous Cinico TV series, from Tommaso Lauria to Carmelo Bene. This journey down memory lane (and through pain), created especially for Fuori Orario, was broadcast on the night of Ferragosto.

A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.

About the work of one of the greatest masters of Soviet cinema — director Mark Donskoy.

Johnny Texas is asked to inquire about the death of Prescott, a rich landowner accused of having robbed a postal wagon. His investigation upsets Prescott's neighbor, Martin, who will use all possible means to stop him.

Johnny Texas is asked to inquire about the death of Prescott, a rich landowner accused of having robbed a postal wagon. His investigation upsets Prescott's neighbor, Martin, who will use all possible means to stop him.

Documentary made for the 60th anniversary of Soviet director Sergei Eisenstein.

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