Hartmut Becker

The middle of the 21st century. A dystopian drama in an overaged and run-down Germany. When the so-called "Endjährigkeit" - compulsory euthanasia at the age of 80 - is introduced, a father and a son are forced to put their broken relationship to a final test.

Lenz is a daydreamer. Charming, visionary and – as it is good manners for a thirty-year-old in Berlin – radically incapable of decision making. After an intense party night, Lenz wakes up next to Ira, completely deranged. Lenz is in love. As well as Ira. The summer of love begins: fooling through the nights of Berlin, beers at the canal, talks about sex and childhood. Everything is beautiful. Up until the moment when Ira asks this one question that changes everything: „Do you want to have kids?“ Now is the time for Lenz to do what he knows best, when things get tricky. He runs off. Anchorless, he stumbles through the summer and has to take up with the heroes of his daydreams, who keep examining him about his feelings. Meanwhile, his friend Kenn covers Lenz with affectionate incomprehension. When autumn arrives, Ira eventually confronts Lenz and he has to face the big “whatsoever”.

Jakob, Dominik and Oliver are best friends, they play soccer and work as priests. They are united in their belief that the catholic church can make the world a better place. But when Dominik is confronted with allegations that he abused a boy, Jakob's world collapses. Torn between his beliefs and the friendship to Dominik, he's committed to finding the truth.

It’s the late 1950s, and in an affluent and quietly respectable part of Buenos Aires, young Sulamit Löwenstein strikes up a friendship with her next-door neighbour Friedrich over the whereabouts of her family dog. She is the daughter of German-Jewish immigrants to Argentina, he is the son of a senior SS officer, a tragic political legacy from whose shadow both characters struggle to escape over the next three decades. Following the teenaged Friedrich to Germany, Sulamit finds him caught up in the radical politics of late-1960s student life; and she’s forced to make important decisions about her attitude to her homeland when Friedrich returns to Argentina to join the fight against the military junta.

The Berghotel Edelweiss, located amidst a picture-book landscape, is a traditional family business. To meet growing demands, Max Höllerer takes out a loan to expand the property. Unfortunately, he has speculated. The bank sells the house, but secretly plans to make a large spa hotel out of it. The attractive Sarah Sand is scheduled on Höllerer to make him the post of managing director tasty.

No plot available for this movie.

A new house in a new town could mean the beginning of a phase of domestic bliss for a small family. Nina, a doctor, has taken a few days off. Her husband Frieder is busy laying tiles, while their daughter Charlotte plays in her new room. But Nina is having her doubts; she stands about in the half-empty rooms, feeling thoroughly alienated. Suddenly, without saying a word, she decides to leave...

"Your colleague has more testosterone than Mike Tyson," Kozack is told and - even worse - has to admit that his interlocutor is right. He was always the alpha male on the beat! But since the BKA officer Mia von Weitersdorf and the Berlin police officer were welded together to form a team against their will, she shows him where the hammer hangs. Kozack had blown up an undercover operation for which Mia was responsible. A colleague was killed, a suitcase full of money and the designer drug "Green Devil" went missing. Mia and Kozack are put on leave - and continue their investigation together. After some initial friction, they realize that they complement each other very well: Kozack knows his way around the Berlin scene and Mia has a quick wit and excellent contacts "at the top". Kozack has to realize that Mia is an equal partner - a hard blow for the macho man.

No plot available for this movie.

No plot available for this movie.