Tohru Emori

A mysterious international crime organization makes a demand of 900 million yen from the Japanese government for the release of hostages. The group then targets a victory parade of a world sports game to commit indiscriminate terror.

National Audit Bureau member Hajime Matsudaira (Shinichi Tsutsumi), Tadako Torii (Haruka Ayase) & Asahi Gainsbourg (Masaki Okada) travel from their homebase of Tokyo to the city of Osaka. Their mission is to discover any financial irregularities & to ensure the correct use of federal money in the Osaka city government. Their initial audits go smoothly, but things turn more interesting once they enter the Karahori shopping district - the area with a long history reaching back to the Meiji era.

The lakeside at Lake Yamanaka is covered with snow. In the vacation house in such a quiet area owned by the chairman of Watsuji Seiyaku, one of the leading pharmaceutical companies in Japan, the tragedy suddenly breaks out. ”I have killed my granduncle!!” says Mako, who is loved by everybody in the Watsuji family. She has stabbed her granduncle, Yohei, to death. Soon after the domestic homicide, the entire family joining together in an attempt to make it look like a crime committed by somebody outside the family, begins to engage in imitative deception...

Three men are possessed by the spirits of ancient samurai determined to build their master's castle, even if they must use cardboard.

Kohei Miyazaki (Naoto Takenaka), a former railroad worker, has become obsessed with locating the ancient country of Yamatai. His obsession sprouted from a day when he discovered ancient ceramics while repairing railroad tracks. Now completely blind, Kohei relies on his wife (Sayuri Yoshinaga) to guide him through the country and read the maps in their pursuit of Yamatai.

When photographer Ishida first sees Sada, the wife of a new acquaintance, his photo shoot with Sada turns quickly into a steamy affair of mind-blowing proportions

A diving club is in danger of going bankrupt. To save the diving club, a female coach returns from the U.S. to coach the club and promises that a diver from the club will make the Japanese Olympic team.

Takeshi Kitano plays a version of himself in which he's a struggling director cycling through a number of different genres in an effort to complete his latest project.

In 1943, as Japan's WWII effort falters, a vice-admiral proposes training squadrons of "volunteer" flyers to crash their armed planes into Allied warships. Yarn follows the lives of kamikaze pilots, as remembered by an aging Kyushu restaurateur who cherishes their memory. Honoring the dead and multiple military anthems may stir the soul of some Japanese, but elsewhere auds will make a one-way trip for exits. Battle scenes are well-executed and script delivers some memorable scenes, but overall competent helming and thesping are powerless over writer-cum-Tokyo governor Shintaro Ishiara's repetitive storytelling. A post-war postscript adds considerable length to an already over-extended narrative. Tech credits are good quality.

In 1943, as Japan's WWII effort falters, a vice-admiral proposes training squadrons of "volunteer" flyers to crash their armed planes into Allied warships. Yarn follows the lives of kamikaze pilots, as remembered by an aging Kyushu restaurateur who cherishes their memory. Honoring the dead and multiple military anthems may stir the soul of some Japanese, but elsewhere auds will make a one-way trip for exits. Battle scenes are well-executed and script delivers some memorable scenes, but overall competent helming and thesping are powerless over writer-cum-Tokyo governor Shintaro Ishiara's repetitive storytelling. A post-war postscript adds considerable length to an already over-extended narrative. Tech credits are good quality.