Alexandru Potocean

Cristina, a mid 30s secretary living in an alienating and hostile Bucharest, is trying to understand what it means being a bills-paying, ready-to-settle, social-ladder-climbing adult while still desperately wanting to be a good child for the single mom that raised her. She is also a character in a novel that a theatre director is turning into a feature. As the actors start setting into the story, their individual backgrounds, social circumstances and personal motivations begin to overlap with the fiction they were offered, making it their own, questioning it and shaping it. The result is what it’s supposed to be: a playful mesh of perceived reality and fabrication.

A young Romanian gendarme, Cristi, tries to find the balance between two apparently opposing parts of his identity: that of a man working in a macho hierarchical environment and that of a closeted gay person who tries to keep his personal life a secret. Cristi is called in for an intervention at a movie theatre, where an ultra-nationalist, homophobic group has interrupted the screening of a queer film. After one of the protesters threatens to out him, Cristi spirals out of control.

Stefan, the only surgeon available, takes on one final patient after working a 31-hour shift. In what should have been a simple procedure the 8-year old boy dies on the table. In this powerful short, the corrupt Romanian health care system is put under close scrutiny upon the backdrop of sorrow, payoffs and threats.

Emi, a school teacher, finds her career and reputation under threat after a personal sex tape is leaked on the Internet. Forced to meet the parents demanding her dismissal, Emi refuses to surrender to their pressure.

In 1981, chalk slogans written in uppercase letters started appearing in public spaces in the Romanian city of Botoşani. They demanded freedom, alluded to the democratic developments taking place in Romania’s socialist sister countries or simply called for improvements in the food supply. Mugur Călinescu was behind them, who was still at school at the time and whose case is documented in the files of the Romanian secret police. Theatre director Gianina Cărbunariu created a documentary play based on this material.

A weekend at the seaside brings out a sick relationship between an over protective mother and her daughter, Luna.

A long time married couple comes to decide within 24 hours, through encounters with strangers, that letting go might be their biggest proof of love.

A sequel to one of Romanian cinema’s most lauded adaptations, The Moromete Family, film tells the tale of Ilie Moromete and his family and focuses on his youngest son, Niculae. The entire order of the world of the village, where the most important thing is to own land and work it, changes upon the arrival of the Communist regime and collectivization.

A glimpse into the life of a middle-aged orthodox priest who struggles with his misdemeaning son.

Costi (30) suddenly comes up with the idea of visiting his father, Sandu, and arrange a surprise reunion with the rest of the family that Sandu has neglected all his life. It's Costi's way of running away from his own couple issues for a day.