Jean Vilar

No plot available for this movie.

No plot available for this movie.

In 1830s France, a virtuous widow falls for a self-destructive debauchee obsessed with death. Initial resistance gives way to a desperate and cynical romance.

Nina lives with her family in a superb property in the French region of Landes. She loves her cousin Jean who is overprotected by his possessive mother, Eva. There is war and, after the French defeat, Jean wants to reach London.

In a Nazi concentration camp, Karl, a German political prisoner, and David, a Jewish watchmaker, are confined in a small enclosure from which only one of them will be able to go out alive.

Chris Marker’s documentary portrays Israel twelve years after its founding, blending location and archival footage to explore its diverse communities—from kibbutzim and Arab villages to Orthodox quarters and tourist sites. The “struggle” of the title reflects the nation’s search for identity in a rapidly changing region.

A watchman with a sensitive heart, Fernand falls in love with Violette and Pervenche, two of the daughters of his boss, Maître Arno. At a bullfight starring three attractive Spaniards, the girls and their sister Marguerite - with whom Fernand's companion Rémy is in love - compete in charm, to the despair of both suitors. Followed by Marina, a pretty girl who seems to take a keen interest in Fernand, the two friends decide to retire to Les Martigues, far from their belles. But soon annoyed by Marina's insistence, Fernand returns to Maître Arno's manade, while Rémy decides to become a bullfighter to win back Marguerite.

In the 16th century, as Flanders is invaded by the Spanish, Till the Mischievous uses stratagems to enter the service of Ferdinand Alvare de Toledo, Duke of Alba, and from there organize resistance against the invaders.

The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.

In 1786, Jocelyn entered the Seminary. He leaves his share of the inheritance to his younger sister Julie. In 1793, on the point of being ordained a priest, the Revolution forced him to take refuge in the Alps. There he meets Laurence, first disguised as a young boy. A great friendship binds them which turns into love when Jocelyn discovers the girl's true identity. Yet faithful to the promise he made to the Superior of his Seminary, Jocelyn will not abandon his faith.