Michel Delahaye

We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.

Between 1931 and 1993, the main Renault plant occupied the whole of an island in a loop in the river Seine to the west of Paris. This was one of the most modern factories in Europe. It was also a bastion of trade-unionism, one of the major hotspots of the events of May and June 1968. Decugis’ film records a process of dismantlement, month-by-month, from April 2004 to March 2005. Demolition began at the downstream end, with the generating plant, then proceeded building by building. The camera remains on the opposite banks, filming the island from across the river. The narration pinpoints and expounds on what is being shown. By March 2005, ‘deconstruction’ is complete. Depollution lasts into 2006.

French independent director Paul Vecchiali playfully bites the hand that periodically feeds him (and many of the nation's other creative filmmakers) in this dark comedy. Writer and director Vecchiali stars as a moviemaker named Paul Vecchiali, who is trying to complete his latest project, a dramatic love story about a young couple whose relationship is complicated by the man's addiction to drugs. Short on funds, Vecchiali approaches the National Cinema Center, who offer loans and grants to independent filmmakers whom they believe are deserving. The NCC is less than impressed with Vecchiali's latest script, and they turn him down, just as they have done a number of times in the past. Angry and determined that the NCC will never break the spirit of another director, Vecchiali and his crew block out a plan to assassinate the nine members of the funding board, though the press and public seem more bemused than outraged by the sudden rash of killings.

The struggle of Victor Schœlcher for the abolition of slavery in the French colonies.

One of the last productions for Diagonale, before De sueur et de sang, the feature film with which Vecchiali would close the cycle of the French production company.

While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.

Sylvain Berg, a "professional" unemployed who spends his time hiking and mountain climbing, and "model" bank employee Benoît Constant, who has just been fired and does not want his wife to find out, both find themselves in Françoise Duru's office at an employment agency. Françoise is secretly in love with Sylvain, so in order to keep him close she convinces her employer to give Sylvain a job he doesn't want, instead of Benoit who not only wants it but also has the right qualifications.

A young policeman searches for the murderers of his drug addict sister. While he carries out his investigations, the criminals manage to get him charged with murder.

The love affair involving the beautiful Simone and the younger Françoise, coming from a frustrated suicide attempt.

Marc Elbichon, a novice private sleuth, is investigating a wave of assassinations bearing a particular characteristic: the perpetrator, dubbed the "telephone killer" always strangles his female victims with a telephone cord.