László Szabó

Just as the disheveled and alcoholic filmmaker Ismaël embarks on a difficult new film project, his life is sent into a tailspin. His wife Carlotta, presumed dead for 20 years, come crashing back into his life creating chaos in his work and his current romantic relationship with the starry-eyed astronomer Sylvia.

Georges Nail lives in a new suburb. He's married, loves his wife, son and dog. Paul Hammer is good looking, rich and intelligent. But he is torn by his severe judgment of the world and a desire to be part of it. One day, their paths meet. Nail sees this meeting as an opportunity to create a new friendship. On his side, Hammer sees it as a new reason for living : to crucify the perfect image of the happy western man and his incarnation in the person of Georges Nail. A nail is the perfect victim for a hammer.

When he loses his position as a powerful government minister, Vincent is dropped by his pretty mistress and must begin life anew, without the privileges of power. As he gradually becomes acquainted with milieus which he d either forgotten or never known and a host of sometimes eccentric, often remarkable everyday people, Vincent really begins to start living again.

Victoire wakes up one morning to find the body of her partner, Felix, lying on the floor of her bedroom. Without being able to reconstruct the course of the last few hours, but convinced that she was not completely to blame, she decides to flee. Wherever she is, all bridges are cut, a certain Louis-Philippe, however, curiously always knows how to find her and keeps her informed of the outcome of the "affair". But Louis-Philippe does not tell everything. What is he hiding? Who is who? Who is lying, fabricating, denying, who is the other's denier? And what really happened?

A troupe of actors rehearse a play. In the play-within-the-film, an ambitious son and his distant father fight for control of an armaments firm and are pushed to eventual destruction by dangerous outside forces and traitorous aides.

Making of Jean Luc Godard's Alphaville (1965)

An unexpected phone call from a certain Kirsch sets off a crisis between Catherine and Raphaël that will affect all those around them, be they close friends or casual acquaintances.

Áron is a happy child in his family. But at some point things take a different turn, and his mother starts to lose her health rapidly. As this happens, the man in charge decides what's best for Áron without consulting the young boy's opinion, and the boy finds himself thrown out of his warm home into an orphanage in the woods. He's utterly displeased by what's happening, without knowing he has yet to face much worse...

Fanfan leaves his friend Charles and thinks he can be accommodated by his friend, Joss. However, at the same time, Joss abandons the marital home. Fanfan and Joss have only to knock on the door of Manu, Fanfan's sister, who gathers them until Mytch, Manu's companion, throws everyone out. The three young women find themselves in the street and continue their run, while their lovers gang up to track them down. The mini-war of the sexes will flare up.

Alex gets a well-paid job from his friend Zsolt: he must smuggle drugs from Germany. Alex wants to run away with the money to France, but suffering a car crash he loses his eyesight. One night, calling from a phone box in the street, he makes the acquaintance of a Hungarian woman living in a seaside town in Germany,