Bernard Ballet

A staging of Pierre Corneille's play "L'Illusion comique" by Marion Bierry.

François Berthier’s life is a series of unfortunate events. One day, however, a miracle occurs for François and his expected misfortune is changed to never-ending luck.

Bénédicte, Martine, and Juliette were classmates who formed an inseparable trio. Fifteen years later, Bénédicte and Martine return to their small native town of Pithiviers for Juliette's funeral. But Juliette remains present in Bénédicte and Martine's remembrances and through her eighteen-year-old daughter Scarlett, who bears a striking resemblance.

An old man recounts: I have always worn glasses. Even in the camp, I managed to keep them. We feared the night almost as much as the day. One night, they brought in a newcomer, a bearded man. His drawings over the days had become essential to us. The guards did not understand that only death would prevent him from drawing. All that remains of the camp is this piece of wall, with his last drawing, which he called "Ligne de vie (Lifeline)."

Twenty-year old Adolphe finds himself drawn irresistibly to Ellénore, a married woman who is ten years his senior. Although she initially repels her young suitor’s unwanted advances, Ellénore soon yields to his charms and the two embark on a passionate love affair.

A worker in a bottle factory, Pierre decides to switch from day shift to night shift. In his new team, he runs into Fred, a charismatic and violent guy. Fred says loudly that Pierre is his boyfriend. In fact, he never misses an opportunity to bully or humiliate him. This could only be a bad joke. But the harassment continues in a downward spiral ...

Fanfan leaves his friend Charles and thinks he can be accommodated by his friend, Joss. However, at the same time, Joss abandons the marital home. Fanfan and Joss have only to knock on the door of Manu, Fanfan's sister, who gathers them until Mytch, Manu's companion, throws everyone out. The three young women find themselves in the street and continue their run, while their lovers gang up to track them down. The mini-war of the sexes will flare up.

Hippolyte, the chef at the small Paris restaurant of the title, is losing his sense of smell - and without that, you can’t cook. Not in France. The restaurant has to close. Guests and customers of the ailing master chef gather for one last fabulous meal. Between courses, personal conflicts are explored and flashbacks flesh out incidents from the lives of the restaurant owners.

Camille Prader, back from a physicians' meeting, is waiting for his suitcase on the Airport conveyor belt. Clémentine, his girlfriend of the day, has come to fetch him. With a radiant smile, she tells Fabrice that she left everything to live with him. When Camille picks a case he realizes ha has taken the wrong one. The label shows it belongs to a musician called Juliette Graveur. Hegrasps the occasion to run away from Clémentine by claiming Juliette is his mistress....

This affectionate little drama captures the last summer before graduation, when these assorted film students and drama students must leave the protected world of college and venture out into the chaotic currents of everyday life. Each student has his own style and character - often chosen for maximum dramatic impact. For instance, Paul is permanently gloomy, and mopes around, invariably wearing a long coat. The others make fun of him, because he is so serious. Charly loyally helps a male friend of hers rid himself of the insistent attentions of a former girlfriend. Caroline is the romantic one of the bunch, and her adventures along those lines keep her fully occupied. Several of them insist that they will not compromise the purity of their cinematic and theatrical aspirations for mere monetary comfort, but when Luc and Nanou find that Nanou is pregnant, they reconsider their absolutist stance.