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Filming on Franco Maresco's film about Carmelo Bene is abruptly halted after yet another on-set accident. Producer Andrea Occhipinti pulls the plug, exasperated by the endless takes and repeated delays. Angered, the director simply disappears. Maresco's friend, Umberto Cantone, attempts to mend the rift by calling witnesses from all those involved in the project, in an investigation that offers an opportunity to retrace the personality and ideas of the most corrosive and apocalyptic auteur in Italian cinema.

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Franco scaldati - died in 2013 - was one of the most important autors of italian theatre plays, Maresco describes his role in the cultural and social field. Through his opera we can observe Italy from another point of view.

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As a child, Sicilian Placido Rizzotto saw his father imprisoned for a crime he didn't commit, and as a young man he fought in World War II, first as a soldier and then as an anti-fascist partisan. These events have left Placido with little taste for petty tyranny and with a desire to promote social justice. Upon his return home, he becomes increasingly aware that the Mafia has taken hold of his village, witnessing angry and frustrated as gangsters control local politics and take whatever they want from the people. Placido helps to form a trade union as a challenge to the Mafia's authority, and attempts to organize the villagers into a collective to grow crops in the fields taken by the Mafia.

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