Ángela Molina

In Sardinia, in the near future, the ancient settlements come back to life, once again hosting man. The young Mila is robbed of her father's inheritance by her paternal uncles. After many adventures she manages to obtain revenge. Despite this, the girl still struggles to find serenity and therefore decides to undertake a spiritual journey in search of herself.

In a kind of philosophical dialogue, Doctor Augustin Masset and renowned writer Fabrice Toussaint discuss life and death… A whirlwind of encounters in which the doctor is the guide and the writer, his passenger, led to confront his own fears and anxieties.

The carefree and somewhat idyllic life of a ten year old boy named Marijan is violently interrupted when war ravages his small town of Dalj and his families closest friends and neighbors turn on them purely because they are Croatian. Marijan is forced to witness and experience things an adult would have an incredibly difficult time dealing with. He is nevertheless faced with the inexplicably horrid events war brings out in people. The story centers on a present day Marijan- now the very successful owner of a wood manufacturing business. On one random day a man walks into his store and all of the memories he wishes he could long forget come flooding back, forcing him to relive them. Despite his immense hardships, Marijan lives on in forgiveness, always seeking the positives that lay in the future rather than rehashing and remaining in the past.

In a forgotten village of the Yucatán, Lena, a 68-year-old widow, crosses paths with Leon, a 62-year-old Mayan guardian of nature’s secrets and spirits. Lena finds an unexpected companion in Leon. Despite their differences and seemingly opposite worlds, a deep connection forms between them—one that will bind them until death. In his new film, Germinal Roaux, one of the most unique voices of contemporary European cinema, delivers a philosophical story about aging and the decay of the body. Above all, it’s about solidarity and the small gestures of love that give meaning—and dignity—to our existence. True to the aesthetic codes established in his previous works, Roaux’s film, shot in black and white and unfolding with a ritualistic rhythm that mirrors the slow passage of time at the twilight of life, speaks poetically and with genuine emotion about the most essential bond that connects us: love.

After receiving the diagnosis of an incurable brain tumor, Claudia decides to undertake her last trip to Switzerland. There she can decide how and when to end her life thanks to the help of an assisted suicide association.

Susana wakes up after 20 years in a coma. Now a 90s teenager in a 21st century woman's body, Susana will have to navigate a world in which nothing is familiar to her and she will have to learn to live in it.

After twenty years away, Odysseus washes up on the shores of Ithaca, haggard and unrecognizable. The king has finally returned home, but much has changed in his kingdom since he left to fight in the Trojan war.

The encounter between physics and cinema and the terribly topical subject of the end of the world turned the set of Liliana Cavani's The order of time into a kind of Noah's Ark, where cast and crew isolated themselves for five weeks. Flooded by the climate emergency, wars, and the dystopian future, while Cavani holds the helm of the ship and Carlo Rovelli explains the end of time, the film's meteorite becomes in the documentary a metaphor for what happens in the protagonists' real lives.

Every summer, 10-year-old Dune goes with her parents to the south-west coast of France, where she meets her best friend Mathilde. Together, they explore pine forests, contemplate the shape of clouds, follow teenagers and crash their parties, and secretly watch horror films. But this one summer is special for Dune – last year, the family skipped their usual holiday without her knowing why. She feels that something has changed. As childhood becomes a little more distant, she begins to see adults and teenagers differently and understand their secrets.

Mateo lives with his mother Libertad in a rose-tinted world: a microcosm that has precisely two inhabitants, mother and son. One day Mateo is diagnosed with cancer.