Lina Rastokaitė

No plot available for this movie.

Being an adult is hard. It's especially hard when you’re only fifteen. Danutė is the only "adult" in her family. Clearly, that’s far too complex a role for a teenager. Every day, she faces external limitations that restrict her potential. A child like that measures everything through the lens of survival and takes on responsibility as her only form of protection.

Two best friends who are passionate canteen chefs signed up for a high-class cooking reality show by faking their unimpressive resume. This contest will challenge their skills as well as their friendship, and the unexpected fame.

A father, who unexpectedly gets custody of his teenage daughter, has a second chance to gain back her trust and rebuild their relationship.

It is highly probable that before their own death, everyone has to organise someone else’s funeral. This is by far not an easy task. In addition to the searing grief, dying also brings a number of tasks that are at once utterly alien and intensely time-critical. The main character of this film, Dovile, who unexpectedly has to bury her father, has to face the bedlam of exactly such a challenge. Overnight, the young girl has to become a skilful organiser of a family event, while also being a specialist on coffins, urns, wreaths and funeral feasts. Dovile’s journey towards organising a perfect funeral is inevitably full of hardship and mishaps, accompanied mainly by black humour and comical situations.

A psychology postgraduate student escorts two patients and their nurse to a seaside psychiatric clinic. Along their journey, they break through each other's barriers, delve into the sources of their various traumas, and discover the lasting imprints left on their fragile souls.

After his girlfriends' suicide, Gediminas moves back to his single mother living in a block of flats opposite Kaseta's home. In his attempt to make himself oblivious, the young man works as a taxi driver at night. Grief, self-reproach, mother's alcoholism and illness (epilepsy), pestering and cynicism of the clients picked up from night clubs toss Gediminas into an emotional abyss. The painful experience dissolve the tiny bits of his fragile wish to live. He visits a psychologist, a psychiatrist and a self-group for families of suicides, but one day he breaks down. At a crucial moment, the old Kaseta spots Gediminas through his telescope.

Robertas sees a drunk, cute woman standing too close to upcoming bus and pulls her back. Robertas develops a deep sense of responsibility for her which enables him to tolerate the girl's abuses.