Annie Ross

Told in Count Basie's own words, this biography sheds light on both the professional and the private life of the world-famous bandleader and pianist who became a jazz icon for his generation.

The documentary tracks the diva's difficult progress as she emerges from the tough, testosterone-fuelled world of the big bands of the 30s and 40s, to fill nightclubs and saloons across the US in the 50s and early 60s as a force in her own right. Looking at the lives and careers of six individual singers (Billie Holiday, Ella Fitzgerald, Peggy Lee, Sarah Vaughan, Nina Simone and Annie Ross), the film not only talks to those who knew and worked with these queens of jazz, but also to contemporary singers who sit on the shoulders of these trailblazing talents without having to endure the pain and hardship it took for them to make their highly individual voices heard above the prejudice of mid-century America.

No One But Me is a 2012 documentary film about Scottish jazz musician Annie Ross.

Annie Ross was the red-headed bombshell at the swinging heart of the post-war jazz scene. Raised in Glasgow, her eight-decade career runs from precocious child star - the 'Scottish Shirley Temple' - to indefatigable living legend. In this intimate and revealing ArtWorks Scotland profile, Annie discusses her many lives: Parisian singer in the 1940s, incomparable vocal gymnast in the 1950s and Covent Garden impresario in the 1960s. Tales of shoplifting with Billie Holiday, shooting up with her lover Lenny Bruce and of her deep abiding affection for her brother Jimmy Logan are underscored by Annie's beguiling and distinctive vocals performing a generous selection of jazz standards and her own compositions.

This is a documentary that's included with the Our Gang mega-set of eight DVDs. This in on disc eight--the Bonus disc. It's a relatively short film of under 30 minutes--which just isn't enough considering that the series went for for over 20 years (if you count the films later made by MGM after the series was sold by Hal Roach Studios).

This documentary explores the life of jazz singer Anita O'Day. As a child, Anita had a tonsillectomy, during which her uvula was accidentally removed. The surgery prevents her from singing vibrato and holding long notes, but lends to her much-revered percussive style. Anita overcomes her vocal hurdle, as well as many others -- including poverty, heroin addiction and jail time for a drug arrest -- to become one of the most prolific and respected jazz vocalists of the 20th century. Initial release: 30 April 2007

Set in the Necropolis graveyard, Glasgow. A comic and magical tale about the meaning of life and a hunt for a missing diamond ring. An ex-B movie starlet and her daughter search for the ring, lost many years ago whilst the mother was making love with a travelling salesman. Their antics are observed by a small boy who is spending the day with his Grandfather, the custodian of the graveyard. As the story unfolds, the day at the graveyard moves from comedy and tragedy to magic, fantasy and resurrection

Hank Marshall is a tough, square-jawed, straitlaced Army engineer and nuclear science expert, assigned to help conduct weapons testing in 1950s America. Hank has become a thorn in the side of the Army, though, for a couple of very different reasons. He is an outspoken opponent of atmospheric testing, though his superiors hold contrary views and want to squelch his concerns...and his reports. The other problem is his wife, Carly. She is voluptuous and volatile, wreaking havoc in his personal life and stirring up intrigue at each new Army base.

Many loosely connected characters cross paths in this film, based on the stories of Raymond Carver. Waitress Doreen Piggot accidentally runs into a boy with her car. Soon after walking away, the child lapses into a coma. While at the hospital, the boy's grandfather tells his son, Howard, about his past affairs. Meanwhile, a baker starts harassing the family when they fail to pick up the boy's birthday cake.

A Hollywood studio executive is being sent death threats by a writer whose script he rejected - but which one?