Ann Magnuson

This film chronicles the highs and lows of an extraordinary band, The Fuzztones whose career spans over 40 years of Garage Rock. Formed in New York City in 1980, their redefining brand of Psychedelic Punk spawned an exciting new scene.

The Life of Sean DeLear is a vibrantly multi-faceted, buoyantly propulsive documentary portrait of this irresistibly charismatic one-off — sketched in celebratory but commendably clear-eyed style by writer-director Markus Zizenbacher. There can be very few people better qualified to do justice to this particular tale. Zizenbacher befriended DeLear — born Anthony Robertson in Simi Valley, an obscure California backwater — after the latter relocated to Vienna in the early 2010s.

Beautiful aspiring rock star Jude is stuck in a rut - relegated to recording commercial jingles and lost in a series of one night stands. When she is evicted from her Brooklyn apartment, she is forced to move into the Hamptons home of her wealthy - and selfish - father Paul Lombard, an over-the-hill, Sinatra-esque crooner angling for a musical comeback.

It's summertime in Columbia, Missouri. The college students have all gone home and Kirsten (Hari Leigh), a blissfully irresponsible register jerk, reigns as the clown princess of the downtown bar scene. Kirsten works ten hours a week at Shakespeare's Pizza and is entirely satisfied with her humble but comfortable world, although she is despised by her long-suffering roommate (Amy Seimetz) and her best friend (Josh Fadem) has come to tire of shepherding Kirsten's drunken antics. While reluctantly reconnecting with an eccentric childhood friend (Susan Burke) who has recently moved to town, an ill-fated nitrous oxide bender unexpectedly forces Kirsten's first baby steps into adulthood.

Called "The American Bowie," "The True Fairy of Rock & Roll" and "Hype of the Year," Jobriath's reign as the first openly gay rock star was brief and over by 1975. Now, 35 years later, "Jobriath A.D." spotlights his life, music, groundbreaking influence and the new generations of fans slowly re-discovering him.

In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.

Woman's Picture is an anthology film inspired by classic women's films of the thirties, forties, and fifties. The story is divided into three sections, each of which deals with its own specific female character. The segments function as parallel dimensions, exploring thematic connections between women whose immediate experiences seem very far removed from one another.

The neglected child of parents living on a commune, Victor is helpless to resist the atmosphere of sex and drugs that permeates his world, but he's smart enough to know that if he is going to survive, he has to get out.

March 25, 2006 Ruth Galloway is a well-to-do socialite who's not quite as secure inside as she seems from the outside. When a young woman named Billy saves her life, Ruth decides to turn her mansion into a shelter for the city's homeless.

Looks like an alien, sings like a diva - Klaus Nomi was one of the 1980s' most profoundly bizarre characters to emerge through rock music: a counter tenor who sang pop music like opera and brought opera to club audiences and made them like it. The Nomi Song is a film about fame, death, friendship, betrayal, opera, and the greatest New Wave rock star that never was!