Frank Cellier

Justice, the poets have it, is a blind goddess. Eric Portman stars as the lawyer defending a lord, Hugh Williams, accused by his secretary Michael Dennison of having diverted public funds for his own use.

A win on the football pools in postwar Britain changes lives. A happy family is turned into an unhappy argumentative lot until it is discovered the coupon apparently didn't get posted. A mild-mannered clerk worries about how to tell his overbearing boss he is quitting. A double-bass player finds life without the orchestra lacks something. The lure of the big money even turns some people into criminals, as when a coupon checker is tempted by his night-club singer girlfriend to cheat the company. Written by Jeremy Perkins

Comedy of a family trying to spend a country weekend which is disrupted by an unpleasant friend of the son.

Biography of the famous Italian violinist Nicola Paganini which focuses as much on the musician's romances as it does on his craft. Phyllis Calvert plays Jeanne de Vermond, the aristocratic French woman who captures Paganini's heart, and real-life violin virtuoso Yehudi Menuhin supplies the breathtaking Paganini solos.

Set just after the end of WWII (but filmed in the middle of it) in a time of general euphoria at having won the war, with full employment and general happiness for all (or nearly all). Peter, the young wastrel son of a hard working hotel owner doesn't like the idea of having to work for a living. He discovers a society of "White Elephants" who are quite willing to be poor as long as they don't have to work. They are protected and guided by Nina (Margaret Lockwood) and her precocious sister Heidi (Jean Simmons).

Wartime propaganda piece reporting on the success of the economic blockade of Germany in the early years of the war.

A professor teaching at a correspondence school discovers that a Nazi agent is trying to prevent a trade treaty being signed between England and South America.

Depressing and realistic family drama about the struggles of unemployment and poverty in 1930s Lancashire. The 20-year-old Kerr gives an emotionally charged performance as Hardcastle, one of the cotton workers trying to make life better. Interlaced with humour that brings a ray of sunshine to the pervasive bleakness, this remains a powerful social study of life between the wars, and was a rare problem picture to come out of Britain at the time.

Allied spies and Nazi Agents insinuate themselves at a Scottish cottage (converted to a wartime hospital) with interests on an inventor's nearly perfected bomb sight.

A young couple become engaged, but enjoy a number of comedic aventures before their wedding day.