Catherine Lachens

Royal Palace Theatre, Paris . February 17th 1673, the King’s theatre group is playing « Le Malade Imaginaire » when Moliere started spitting blood, but he takes the decision to keep playing until the end. During his agony, he let enter in the theatre all the elements and ghost who made his life. Starting a fight to preserve his dignity, he plan to transfigure his death in a last laugh instrument.

François and Charlotte directed together a gourmet hotel and restaurant on the edge of the sea, but their marital relationship is not fixed beauty: obsessive hard, Francis wants his first star in the Michelin Guide while Charlotte, at the dawn of the quarantine, dreams of a first child. This already complicated situation will literally explode the day where Charlotte's first husband, Alex, disembarked in their lives while everyone believed him dead in the terrible tsunami of 2004...

Bright days ahead? Caroline has retired, at last. A new life lies before her: time to take care of her children, her husband, and, most of all, herself. However, she soon comes to realize that this new freedom is synonymous with boredom and idleness. Especially when she receives a membership to her neighborhood’s senior club as a birthday present… Reluctant at first, she nevertheless decides to take the plunge. Oddly enough, she meets great people there, starting with the young computer science teacher, who is far from insensitive to her charms. Caroline gradually takes control of her life again and lives a second youth: taking a new lover, living new experiences, breaking the rules, not doing what’s expected of her… Who said that retirement was the beginning of the end and not a new beginning?

A man with a serious illness, visits his doctor. His condition does not improve. So, he asks him to come back with his wife. But here is the problem, he makes believe for several years to ...

French independent director Paul Vecchiali playfully bites the hand that periodically feeds him (and many of the nation's other creative filmmakers) in this dark comedy. Writer and director Vecchiali stars as a moviemaker named Paul Vecchiali, who is trying to complete his latest project, a dramatic love story about a young couple whose relationship is complicated by the man's addiction to drugs. Short on funds, Vecchiali approaches the National Cinema Center, who offer loans and grants to independent filmmakers whom they believe are deserving. The NCC is less than impressed with Vecchiali's latest script, and they turn him down, just as they have done a number of times in the past. Angry and determined that the NCC will never break the spirit of another director, Vecchiali and his crew block out a plan to assassinate the nine members of the funding board, though the press and public seem more bemused than outraged by the sudden rash of killings.

How do you ask a wild, impetuous hairdresser on a date if you're a pathologically timid philosophy student with no social skills?

Jean doesn't want to stagnate in the anonymity of an unattractive life anymore. He chose to start a new career very mediatic but quite dangerous.

During the summer, Paul, provincial student, shy and bookish, went to Paris to integrate Sciences-Po, bed on a bench in the Luxembourg Gardens. One afternoon, while the eye follows a young girl he had noticed for several days, he made the acquaintance of Fab, a seducer getter, effective and apparent misogyny, which will teach him the basics drag. Starting first with a documented learning every evening in his diary, Paul soon to be questionable practices to limit crime.

After learning of her husband's infidelities, a housewife invites an itinerant lesbian to move in with them. None of their lives will ever be the same again.

A film with emphasis on visuals and music, the plot concerns characters who meet in present time, mainly the male gypsy Jesus, and the female thief and con-artist Odona, who share parallel experiences from lives 2000 years in the past. These stories are juxtaposed.