Sami Kaftan

After his beloved fiancé was forcibly taken away, Esho, a school teacher, is falsely accused of committing a crime and gets thrown in an Iraqi prison. While in prison, he witnesses the unjust execution of three activists who become heroes in their martyrdom for defending the human rights of the indigenous Assyrian people in the Middle East. Upon his prison release, Esho vows to honor the martyrs' courage and sacrifice by journeying the world to share their stories. Ultimately, he gains international attention when he meets an American journalist, William Cooper, a representative of the United Nations Human Rights Organization.

(Nadia), who was born and raised in (France), returns to (Iraq) to rediscover her roots and origins. During this journey, (Nadia) gradually uncovers the story of her grandfather, Haj (Najm) Al-Baqal, the owner of the date shop, and the man who was one of the prominent leaders of the revolution in (Najaf) against British colonialism in 1918. The film sheds light on the impact that Haj (Najm) Al-Baqal's struggle left on the people of (Najaf).

Back in his home town of Babylon after a long exile, the Iraqi-born director Abbas Fahdel asks himself: "What has become of my friends? What has life here made of them? What would my life have been like if I hadn't chosen to build my destiny elsewhere?"

The film depicts the biography of King Ghazi, one of the kings of Iraq in the 1930s, who sought to break free from the bonds of British colonization and adopt a nationalist path. This led various parties to attempt his assassination, including the servant Sa'id, who is also disposed of after the assassination. The film also portrays aspects of life in Iraq during the 1930s.

In a dramatic context, Rahoumi experiences the final moments of his life as his life flashes before his eyes. He reminisces about his wife, who was unable to conceive, and remembers Naja, whom he regarded as his own daughter, and decides to leave her a significant portion of his wealth. However, his sister and her husband strongly object to this decision.

The film presents, in a comedic manner, how to execute a dramatic film featuring a love story between a young man and a young woman. It depicts the execution of comedic scenes by shooting at the lover, as well as the selection of a cart and horse by the carriage driver Alwan. Alwan becomes annoyed during filming by the romantic expressions between the lovers, believing them to be real, which causes disruptions in the film's production.

A festival is being held in Babylon, to which archeologists, artists, and media professionals are invited, along with an Egyptian television delegation headed by an archaeologist. This scholar meets an Iraqi girl who bears Iraqi features, and gives her appearance the impression that the archaeologist, the archaeologist, and that his dream has begun to materialize in front of him, and a group of comic situations begins.

No plot available for this movie.

The film portrays the Iraqi army's role in confronting Iranian aggression during the war between Iraq and Iran from 1980 to 1988. The film highlights numerous heroic acts of Iraqi army personnel during this conflict.

During the British colonial period in Iraq, Sheikh Dhari and his tribe openly reject colonization and employ peaceful resistance against the British occupation. In response, the English forces resort to violence, targeting Sheikh Dhari's locations in their confrontation with Laghman. When he is captured, they accuse him of blocking the road, revealing the schemes orchestrated by Britain in Iraq.