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Summer is ending and so are the holidays. Around Balthazar, 13, the adults are getting the barbecue ready. His cousins are getting dressed to go out and party, and his big brother is ignoring him. Balthazar, meanwhile, is texting with Tom — the only one who doesn’t treat him like a little kid.
No plot available for this movie.
No plot available for this movie.
Since the death of their mother, Jonathan and Adrien have never spoken of this brutal loss.With their father, they try to mourn, but the silence gnaws at them from the inside. Jo' is sure that his future lies elsewhere.
No plot available for this movie.
Two men are breaking up after living together for thirteen years. The end of their love story is made of tenderness and clumsiness, as well as tears and caress.
Xavier is found dead on the bank of the Loire River, a dangerous and mysterious river in France. Agustín, his best friend, is overwhelmed by his loss, but he wants to go to the place where Xavier’s body was found to explore his fantasies.
This summer, Livia returns to spend a few days in the family apiary. Louis, her elusive and brilliant brother, is also back.
Two homeless men meet in the subway. One waits for love, the other hopes for it
At 19, passionate about street art, Naëlle (Najaa Bensaid) is forced to follow a reintegration project with other young people, her last chance to avoid being separated from her loved ones. Touched by the young girl, Hélène (Agnès Jaoui), the site manager and her instructor, introduces her one day to the Maison des Compagnons de Nantes, a world of traditions that promotes craftsmanship excellence and transmission between generations. Alongside Paul (Pio Marmai), a companion stained glass artist who agrees to take her for training in his studio, Naëlle discovers a universe with codes very different from hers that could give new meaning despite her difficulties in life. Naëlle will carve a place for herself in the fascinating world of stained glass and will realize that the Companions' values are not just empty words.
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