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Hélène Noris, a young Belgian woman from a bourgeois family, is haunted by a past affair with Tamara — now married to her father. Torn between desire and resentment toward Tamara’s conformist life, Hélène feels alienated in the provincial world she inhabits. To boost his social image, her stepfather René invites Parisian director Jean Gerfaud to stage an avant-garde version of Tartuffe. Tamara flirts with him, but Hélène seduces him first. A passionate, destructive affair begins, entangling love, jealousy, and ambition. When the play’s scandalous premiere sparks outrage, Jean marries Hélène, provoking Tamara’s fury. Yet Hélène, restless and defiant, betrays him with a soldier. In rage and humiliation, Jean confronts her in the “red room,” the space that once embodied their love and now their ruin.

No plot available for this movie.

A Belgian village is struck by repeated flooding, all this because they lack a new sewer. But the Ministry delays in providing the funding needed to build it. To alert public opinion, the villagers decide to do something. This "something" will be a play describing the life of their saint patron. Trouble follows, partly fueled by the short-tempered mayor.

A country road, front-wheel drive. A man, Victor, is waiting. A convertible pulls up. Linda and another man come out. All three take up arms and get into traction to rob Victor's brother-in-law. In their absence, a wanderer from the woods approaches the car. He hides under the back seat cover, when the gangsters come back. Coldly, Linda kills her accomplices to keep the loot. Back in Paris, stripper by profession, she performs her last stripping and returns home. The wanderer was waiting for him. He demands a million from her for her silence.

A green mare makes the fortune of her owner, the horse dealer Haudouin. Shortly after his death, war broke out in 1870. One day, his neighbor Zèphe Maloret denounces Honoré, Haudouin's son, a maverick, to the Prussians. Following this denunciation, their non-commissioned officer enters the Haudouin home and rapes the mother while Honoré is hidden under the bed. The resentment already existing between the Haudouin and Maloret families turns to hatred... A letter recalling the events is lost, which doesn't help matters.

Four women were murdered, each was knifed and, though they had their clothes torn, they weren't molested. As the famed police inspector Jules Maigret pieces the clues together, he comes to realize that for the elusive man that he suspects to be unmasked, he has to set him a trap.

A professor experimenting in suspended animation accidentally shrinks his dog and later, his female lab assistant, when she drinks the liquid by accident and shrinks to 3 inches tall. The professor keeps her in his pocket until he can find an antidote. Sometimes she's naked, too.

Mr. Placard, impresario of shock, lost the headliner of his show, Elia Tarti. Amédée introduces himself, he can highlight his gifts of fantasy. Randomly along the way, Amédée notices a seductive hitchhiker named Cigale. This one disappears again, kidnapped by Prince Kanaga. Assisted by a friend, Amédée flies in his footsteps and discovers in Nice that Cigale is none other than Elia Tari, capricious, disdainful and snobbish star.

Abbé Pellegrin, parish priest of Sableuse, sells an ancient Christ to an unknown man, M. de Saint Preux. Summoned to the bishop's palace, he learns that he has been the victim of a swindler. The Christ, exchanged for a "mouthful of bread", is a valuable antique. Not wanting to compromise his wartime comrade La Goupille, who had introduced him to Saint Preux, Pellegrin proposed to his bishop that he himself carry out the search for the Christ. For the occasion, he swapped his cassock for a "civilian" outfit and landed in Paris. He recovers the treasure in the midst of a series of adventures and misadventures involving Cousinet, the former squire of Sableuse. He takes in the tenants Cousinet has just evicted from his hotel.
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