Ayesha Dharker

Olivier Award-winner Hiran Abeysekera (Life of Pi) is Hamlet in this fearless, contemporary take on Shakespeare’s famous tragedy. Trapped between duty and doubt, surrounded by power and privilege, young Prince Hamlet dares to ask the ultimate question–you know the one. National Theatre Deputy Artistic Director, Robert Hastie (Standing at the Sky’s Edge, Operation Mincemeat) directs this sharp, stylish and darkly funny reimagining.

Mahatma Gandhi: lawyer, champion of non-violence, beloved leader. Nathuram Godse: journalist, nationalist – and the man who murdered Gandhi. This gripping play traces Godse’s life over 30 years during India’s fight for independence: from a devout follower of Gandhi, through to his radicalisation and their tragic final encounter in Delhi in 1948.

Two young people and their dæmons, with everything at stake, find themselves at the centre of a terrifying manhunt. In their care is a tiny child called Lyra Belacqua, and in that child lies the fate of the future. And as the waters rise around them, powerful adversaries conspire for mastery of Dust: salvation to some, the source of infinite corruption to others.

A man refuses all assistance from his daughter as he ages and, as he tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality.

Beset by problems at home and abroad, a capricious king is forced to relinquish his ‘hollow crown’. As his supporters abandon him and his power trickles away, Richard reflects with startling eloquence on the disintegration of his status and identity. Adjoa Andoh and Lynette Linton direct the first ever company of women of colour in a Shakespeare play on a major UK stage, in a post-Empire reflection on what it means to be British in the light of the Windrush anniversary and as we leave the European Union.

Daulatdia is an entire village in Bangladesh dedicated to prostitution. Every day, 1,600 trafficked, enslaved and abandoned women and girls sell themselves for £2 a time. In the midst of the trade live 300 children, many born in the village. Some will be groomed to be the future of the business like their mothers and grandmothers. With education programmes and support provided by Save The Children, a few may find their way out.

Othello is the greatest general of his age. A fearsome warrior, loving husband and revered defender of Venice against its enemies. But he is also an outsider whose victories have created enemies of his own, men driven by prejudice and jealousy to destroy him. As they plot in the shadows, Othello realises too late that the greatest danger lies not in the hatred of others, but his own fragile and destructive pride.

While delivering food in a forest area in Andhra Pradesh, impoverished Narasimha is held against his will by a band of Naxalites led by Velu, and forced to join them. He is anxious to collect his dues and return home to his wife, Uma; daughter, Chinna; and son, Mohan, but Velu keeps on putting it off. Narasimha gets to know and sympathize with members of this band, and befriends Lakshmi, who was gang-raped by several policemen. He is then asked to prove his loyalty by killing an informant/plainclothes police inspector - which he does - and even accompanies the band on an assault on a school, resulting in the death of some children. Traumatized after this incident, he decides to flee - and it is this decision that will not only estrange him from his family but also force him to be on the run from the band as well as the police.

HARDEEP, RASHMI and ATUL are brothers and sisters. Which means they can say anything they like to each other, no matter how honest. Mad, Sad and Bad is a 90-minute comedy about mixed race relationships set in Luton. It's about mid-thirties siblings and friends whose personal lives are continuously messed up by their own selfish needs. Mad, Sad and Bad explores our contemporary metropolitan neuroses through the intersecting lives of these siblings and their friends. The narrative slips from one character to the next as they escape and attack each other. all reluctant members of the same dysfunctional family. Written by Ed Barratt

Two members of a right wing political party are on the campaign trail in a housing estate. During the course of a day knocking on doors, it becomes clear they have differing motivations for being there.