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Japanese horror anthology of 4 horrifying tales.

The body of Shinsuke Maeda, a wealthy older man, is discovered in his garden. While at first glance it appears that he missed his step while exiting into the garden and hit his forehead on a flowerbed rock, it is established that a safe installed in the living room has been emptied. It seems that, the night before, Maeda left the hospital he was staying at of his own will and came home, and was robbed immediately after returning. His daughter Yumie Nagano insists that Chikako Inui, a woman her father had been seeing, must be the perpetrator. She says that Maeda was thinking of getting married to Chikako soon. However, Chikako finds Yumie and her husband suspicious. Troubled by debts incurred by opening their ramen store, they pestered Maeda and he pushed them away. She calmly points out that Maeda gave her a will in which he left all of the 50 million plus yen hidden in the safe to her, so she had no reason to steal from him.

Yasutake Shingo works as a newspaper reporter but his life is stiffled and lifeless. That changes one day when he meets the irrepressible Matsunaga Chie by accident. Just as their relationship is blossoming however, Chie tells Shingo that she has breast cancer. Shingo determines to marry Chie right away, but she'll have to go through surgery and cancer treatments firs...

Sen no Rikyu (Ebizo Ichikawa) is the son of a fish shop owner. Sen no Rikyu then studies tea and eventually becomes one of the primary influences upon the Japanese tea ceremony. With his elegant esthetics, Sen no Rikyu is favored by the most powerful man in Japan Toyotomi Hideyoshi (Nao Omori) and becomes one of his closest advisors. Due to conflicts, Toyotomi Hideyoshi then orders Sen no Rikyu to commit seppuku (suicide). Director Mitsutoshi Tanaka's adaptation of Kenichi Yamamoto's award-winning novel of the same name received the Best Artistic Contribution Award at the 37th Montréal World Film Festival, the Best Director Award at the 2014 Osaka Cinema Festival, the 30th Fumiko Yamaji Cultural Award and the 37th Japan Academy Film Prize in nine categories, including Best Art Direction, Excellent Film and Excellent Actor.

An old couple, their only son, the son's wife, a young man and his lover live peacefully in a village. Then, a terrifying earthquake strikes that causes a nearby nuclear station to explode. The residents must evacuate, but the family lives on a farm, with only half of the area designated as an evacuation area.

Shuichi Furukawa receives a phone call from his mother. She reminds him that they are moving the next day. The following day, Shuichi takes a train ride back to his hometown. He arrives at his parents home, but nobody is home. He looks for the house key under a potted plant but can't find the key. He starts to thinks back to his childhood days in his parents home. Shuichi grew up with his younger brother, older sister, father who ran a shoe making business out of their garage and mother. Shuichi grew up with a crush on an older woman who lived next door and he loved to make piggy banks out of empty whiskey bottles. One day on a school picnic, Shuichi's classmates grabbed a lunchbox from a fellow student and eventually gave the lunch box to Shuichi. All the other students chanted "throw it away," while Shuichi's former friend looked on in despair.

While celebrating with her friends in her new cheaply rented apartment on the thirteenth floor of a building, the young Sayaka unexpectedly jumps off the balcony committing suicide. Her mother goes insane and her older sister, Mariko, decides to investigate the mysterious death of her sister.

Shohei works as a doctor in a seaside hospital. One day, a new patient is admitted to the hospital with ovarian cancer. Shohei is surprised to recognize Michiko, his first love from high school. Shohei has been leading a dissolute bachelor life, paying for the company of high school girls and dating an older woman who works in a local bar, but in reality, for the last twenty years, he has not forgotten Michiko. Unfortunately though, Michiko doesn't remember him at all. Shohei becomes more and more persistent in his attempts to get her to recall their past. At first she is annoyed by his overtures, but gradually warms to the doctor. Under Shohei's kind and patient care, Michiko's condition improves and her cancer becomes operable. The operation is a success, but now Shohei himself learns that he has terminal cancer.

No plot available for this movie.
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