
Chishu Ryu (May 13, 1904 in Kumamoto, Japan – March 16, 1993 in Yokohama, Japan) was a famous Japanese film actor, a favourite of the director Yasujiro Ozu. From 1928 to 1992 he appeared in at least 155 films, including Ozu's Tokyo Story (1953) and Yoshitaro Nomura's Castle of Sand (1974). From 1969 until his death, Ryu became familiar to a new generation as the curmudgeonly but benevolent Buddhis...
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A headmaster and a novelist, looking for inspiration, regard a strange natural phenomenon before sharing stories of their own.

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When Izumi can't stand seeing her mother flirt with other men, she leaves home. She sends a letter to Mitsuo and Mitsuo goes looking for her. But Izumi unexpectedly meets Tora-san.

In 1999, a woman's life is forever changed after she survives a car crash with two bank robbers, who enlist her help to take the money to a drop in Paris. On the way, she runs into another fugitive from the law — an American doctor on the run from the CIA. They want to confiscate his father's invention – a device which allows anyone to record their dreams and visions.

Mitsuo goes to Nagoya to visit Izumi, whose father left Izumi’s sad, bar hostess mother for another woman, so together they decide to confront him in Oita. Meanwhile, Izumi’s mother befriends Tora-san and together they travel to Oita to meet them, with Tora-san quickly falling for her en route.

Eight visually rich vignettes drawn from Kurosawa’s own dreams—fox weddings and vanished orchards, a soldier’s ghosts, a walk through Van Gogh’s canvases, nuclear nightmares, and a water-mill utopia—meditate on childhood, art, mortality, and humanity’s uneasy bond with nature.

A documentary which follows director Wim Wenders and Sean Naughton, the high-definition-video designer on UNTIL THE END OF THE WORLD, in Tokyo, and details the creation of the film’s groundbreaking high-definition sequences.

Tora-san's nephew Mitsuo is exchanging letters with Izumi, a former classmate whose parents divorced and took her out of Tokyo.

Living with her son and aging father-in-law, the beautiful widow is bewildered by the passionate love of a middle-aged man who forcefully enters her heart, but she eventually opens up to him, as depicted in the beautiful images of Kamakura from fall to winter and then to early spring.

During his wandering throughout Japan, Tora-san meets a suicidal man. He travels with the man to Vienna, but winds up homesick for Japan.
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