Sharon Gurney

Hélène Noris, a young Belgian woman from a bourgeois family, is haunted by a past affair with Tamara — now married to her father. Torn between desire and resentment toward Tamara’s conformist life, Hélène feels alienated in the provincial world she inhabits. To boost his social image, her stepfather René invites Parisian director Jean Gerfaud to stage an avant-garde version of Tartuffe. Tamara flirts with him, but Hélène seduces him first. A passionate, destructive affair begins, entangling love, jealousy, and ambition. When the play’s scandalous premiere sparks outrage, Jean marries Hélène, provoking Tamara’s fury. Yet Hélène, restless and defiant, betrays him with a soldier. In rage and humiliation, Jean confronts her in the “red room,” the space that once embodied their love and now their ruin.

When a government official disappears in the London tunnels, after several reports of missing people in the same location, Scotland Yard start to take the matter seriously, along with a couple who stumble into a victim by accident.

A mother and daughter hatch a scheme to murder their family's domineering and sadistic patriarch.

A film biography by David Jones with Freddie Jones as John Clare "I am - yet what I am, none cares or knows" (John Clare) John Clare (1792-1864), farm labourer, had three obsessions: his youthful love for Mary Joyce, the countryside of his native Northamptonshire, and the need to celebrate both in his poetry. Clare cracked under the increasing strain of poverty and neglect, and spent the last 23 years of his life in Northampton General Lunatic Asylum. He imagined himself to be Lord Byron, a bigamist, and a prize-fighter; but the poems of his madness are perhaps the most remarkable he ever wrote. "Clare's asylum foretells our need for an asylum, his deprivation foretells our deprivation" (Geoffrey Grigson) Commentary spoken by Tony Church (from BBC Midlands) (David Jones and Patrick Stewart are members of the Royal Shakespeare Company; Tony Church appears by permission of the Northcott Theatre, Exeter)

Anna can't seem to help ending up with the wrong partner in a line of disastrous affairs. Her hope now lies with a young man from the pop music scene.

Growing up in the sheltered confines of a 1920s English coal-mining community, free-spirited sisters Gudrun and Ursula explore erotic love with a wealthy playboy and a philosophical educator, with cataclysmic results for all four.