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Yorkshire, 1898. A grieving woman and her son move back to the unoccupied house of her ex husband, recently found dead, but they discover that they are not alone inside the house.

Once upon a time, a miller attempted to marry his daughter off to the King by promising she could spin straw into gold. With the help of a demonic imp, she completes the task, but the King becomes greedy and wants more. So, she promises the imp her firstborn in return for yet more favours. But when it comes time to honour her bargain, dark forces merge when the Imp makes a deal with the devil.

Rob, in his late thirties, needs to decide if he wants to have a baby with his girlfriend Marta, but worries that he’s fallen out of love with her. He asks his seemingly unhappily married friends for advice, who all tell him that he won’t be able to do better so he might as well marry her. But when Rob eventually does propose to Marta, things don't go exactly to plan.

Ding Ling is a research scientist who fled Indonesia in the wake of rising sea levels, and at the start of the episode disembarks from the cargo ship on which she had been living. She moves onwards to explore new/old territories, revealing something of her past in Indonesia and China via Singapore as the episode progresses. During her journey she meets the resourceful Senait, an Eritrean refugee who subsists by evaporating water from the Dead Sea to make it potable. In her ongoing effort to compile an archive of those who remain, Ding Ling records an interview with Senait, where Senait recounts her own peripatetic past and perilous journey through Sudan.

Our protagonists are taken captive aboard a gigantic cargo ship, whose megalomaniacal captain Ismael entertains biblical pretensions. Ben is made to ‘pay his passage’, while a ghostly Yasmine stalks the empty corridors of the ship. Whales and whaling become a key subject – interrogating colonial and indigenous politics in the process.

Ben and Yasmine continue further south to the Moroccan coast, where they are attacked by Jamila and her group of parasitic bandits. The ethics of survival and predator-prey relationships in both human and marine species are explored, as members of another group intervene. But is this out of the frying pan and into the fire for the protagonists?

When an ex-soldier awakes in a bath of ice to discover he’s missing a kidney, and worse - his daughter, he must fight his way through the ‘Organ Harvesting Den’ to find her before it’s too late.

12-year-old Conor encounters an ancient tree monster who proceeds to help him cope with his mother's terminal illness and being bullied in school.

Directed by UK-horror scene stalwart Calum Waddell and hosted by scream queen Debbie Rochon (Terror Firmer, Tromeo and Juliet) Scream Queens: Horror Heroines Exposed features, in a change of pace for horror documentaries, especially those focusing on females in the genre, an all-female line-up, discussing horror movies from their perspective – exploring the challenges of being an actress in a genre predominantly made by and for men, from how they came about to be defined as a “scream queen”, about the vagaries of the genre: nudity, violence, misogyny, etc., and about how they feel about the genre and the label

When Dezzie befriends new boy Yasin at his school, little does he know his life will take an unexpected turn that will ultimately shape his future. Having witnessed the perpetual racist taunts and bullying to the quiet Chinese newcomer, Dezzie, no stranger to beatings himself, stands up to Yasin's persecutors and wins the respect, not only of his tormentors, but more importantly of Yasin, and his family.
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