Dolores del Río

Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.

Documentary about the presence of Latin American culture and actors in American movies.

Hall Bartlett directs the rural drama The Children of Sanchez, based on the tome The Children of Sanchez: Autobiography of a Mexican Family written by Oscar Lewis in the '60s. Anthony Quinn stars as the widowed Jesus Sanchez, a poor farmer struggling to provide for his family in Mexico City. Also starring Lupita Ferrer as Consuelo and Stathis Giallelis as Roberto. This is the last film in the 50-year career of international star Dolores del Rio, who plays the Grandma. Jazz-pop performer Chuck Mangione was nominated for a Golden Globe and won a Grammy award for his original musical score.

Experimental documentary short film with a prologue by José Revueltas about the 1968 Mexico City Olympics

A fairy tale of the misadventures of a beautiful but temperamental Neapolitan peasant, Isabella, when she meets the ill- tempered Spanish Prince Rodrigo Ferrante y Davalos. The King of Spain has ordered Rodrigo to choose a wife among seven Italian Princesses, but he is smitten by the lowly peasant.

Mexican feature film

The women of a brothel adopt a foundling baby.

It is three years since Martín's wife, Angélica, mysteriously disappeared in the waters of the river. Despite the bad weather and ignoring the advice of Angélica's mother, Martín leaves the house. At that moment a strange pilgrim arrives in search of shelter. She can only stop for a few minutes because she has to go to the bridge to meet Adela, a girl with an appointment with Death.

A reluctant cavalry Captain must track a defiant tribe of migrating Cheyenne.

Sam Burton's second wife is a Kiowa, and their son is therefore born mixed-race. When a struggle starts between the whites and the native Kiowas, the Burton family is split between loyalties.