Cinzia Monreale

Two women—Diana, a flamboyant and ruthless thief, and Evie, a seemingly innocent young woman with a troubled past—become embroiled in a series of horrific murders on the island of Malta.

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The story is set in an indefinite time. In a dungeon, five people fight for their survival: three women, Blonde, Black and Red; a theologian and a young doctor. Out of this hiding place reigns the APOCALISSE. Evil was generated by a zero patient and a group of ex-soldiers, called "Exterminators", crucifies any person you meet to find the origin of the evil. Are the five really safe in this place or is there something they don't know?

Delves into the career of the notorious Italian filmmaker, Aristide Massaccesi aka Joe D'Amato, the infamous director behind the legendary Video Nasties Anthropophagus: The Beast and Absurd.

The spirit of a murdered girl returns with a message. Now a stranded woman must team up with the staff of a local station to solve the mystery of her death.

Ten classmates have disappeared on the evening of 3rd March 2011. The boys were in the family home of one of them, Fabio, for a party. But the next morning, none of them was still there. Gone, vanished into thin air. A few months later their parents receive an anonymous DVD, which contains the shooting of what happened the night of the party. They are not just shootings, but something similar to a real movie about that night. Edited, set to music, post-produced. But who shot that video? And why? The truth seems not to be hidden in the content of that video only.

Actress Cinzea Monreale guides viewers through her cult roles - most noticeably as the mysterious blind girl Emily in Lucio Fulci's classic haunted house film The Beyond (1981).

This documentary examines the life and legacy of controversial Italian filmmaker Lucio Fulci through interviews with his colleagues, each of whom answers the question, "What is your fondest memory of Lucio Fulci?". The responses are as varied as the people who knew the late writer-director, providing a nuanced look at the man behind such gory grindhouse classics as City of the Living Dead and The House by the Cemetery.

The Champions League Final, on 31st May 2001, in Rome. A football match unites men that have nothing in common with each other. The stadium becomes a modern Greek theatre, where five dramas touch one another, only to fade away in a few minutes. The main characters are, Simone, Alice, Gabriele, Pietro and Achille, all different types of people, of different ages, all looking for a place to find some peace and quiet, a taste of happiness and love, as well as someone to trust in. At the last stage people laugh, but there is always a bitter note to their laughter. And their laughter is louder and more satisfying the greater their adversity. Indeed, in the end, there is always a reason to go on, a final stage from which to rise.

It is the story of the meeting of two men, presumed childhood friends, of which one remembers every detail, with nostalgia and perhaps resentment, while the other pretends to remember only because he is distressed by a tax assessment and his friend is a tax official. Metaphor of two opposite ways of looking at one's roots, which one cannot free oneself from without risking losing one's identity.