Jesús Franco

Spain, 1975. Franco's death opens the door to the possibility of uncensored cinema. After two years of relaxed censorship, it is abolished in 1977, and the “S” rating is created to protect viewers from films that may “offend their sensibilities.”

Who was Joe D'Amato aka. Aristide Massaccesi? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

In 1969, Jesús Franco and Christopher Lee shot Count Dracula in Barcelona. At the same time, Pere Portabella became aware of this filming, vampirizing it in Cuadecuc, Vampir. Genre and Art-house films had never been so close. Drácula Barcelona tells the story of these two movies.

The life of an Andalusian actress who had a brilliant career in cinema, but died early in a car accident at 27 years old.

Featurette starring actor Eric Falk and producer Erwin C. Dietrich about the making of Jess Franco's 'Barbed Wire Dolls'.

Jesus Franco, also known as Jess Franco, was one of the most important names in "B" cinema worldwide. With more than 200 works and a wide and peculiar use of pseudonyms, his work remains difficult to catalog, which makes it more exciting if it fits. Through a series of interviews with Franco, "Llámale Jess Redux" brings the spectator closer to the sadist, esoteric and erotic world of the director, as refined as rogue. This new version of "Llámale Jess" (2000), considered the reference documentary on Franco, and directed by Carles Prats and Manel Mayol, incorporates new unpublished statements by the irreducible Madrid filmmaker, as well as paying homage to his muse and companion, Lina Romay , Incorporating his active presence to the story.

No plot available for this movie.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

Al Pereira, the one and only original private-private detective, is fighting against all the shameless women on earth - especially the Alligator Ladies.