May Craig

A naive young country girl moves to Dublin and finds herself drawn to a sophisticated author twice her age.

When the atheistic ranting of Irish-American author James Mulcahy upsets the inhabitants of the Irish village to which he has retired, a mob threatens him. But moments after he has dared God to strike him dead, a stranger appears and does so. The man, dubbed "Johnny Nobody" by the press, claims no knowledge of Mulcahy or even of himself. He asks the help of the village priest, Father Carey, in his upcoming trial for Mulcahy's murder. While the amnesiac Johnny goes to trial, Father Carey mulls questions of belief raised by the case. And then, the good father learns a little more about Johnny Nobody...

Abbey Theatre comedy.

Longtime playwrights and performers of the Abbey Theatre share colourful reminiscences of the national institution founded by W.B. Yeats and Lady Gregory in 1904. Oscar Nominee: Best Documentary Short

Three vignettes of old Irish country life, based on a series of short stories. In "The Majesty of the Law," a police officer must arrest an old-fashioned, traditional fellow for assault. The man's principles have the policeman and the whole village, including the man he slugged, sympathizing with him. "One Minute's Wait" is about a little train station and glimpses into the lives of the passengers, with a series of comic setups. The third piece, "1921," is about a condemned Irish nationalist and his daring escape.

An American man returns to the village of his birth in Ireland, where he finds love and conflict.

The brilliant British documentary filmmaker Paul Rotha made his feature-film debut with 1950's No Resting Place. Filmed on location in Ireland, the film is a lightly fictionalized study of that country's itinerant workmen. Michael Gough plays tinker Alec Kyle, whose life is thrown into turmoil when he accidentally kills a man. Kyle spends the rest of the film evading Guard Mannigan (Noel Purcell), a civil servant who relies on instinct rather than scientific deduction to get his man. Without ever trying to elicit sympathy for his characters, director Rotha manages to compellingly detail the miserable living and working conditions of Ireland's nomad artisans.