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August 1960. Director Nikolai Berentsev is working on a large-scale science fiction film about an expedition to Venus. The construction of grandiose decorations begins in the pavilion. Berentsev himself develops models of planets and spacecraft, comes up with special devices for combined filming. He tries to imagine and visualize something that no one has ever seen — life on other planets. He believes that fantasy should run ahead of science, but faces skepticism from colleagues and the scientific community. In the end, he himself begins to doubt whether his film is needed by the audience, why these dreams of Space, when there are so many unresolved problems on Earth.

Captain Fedor Volkonogov works in law enforcement. He is on the good books of the management, and his colleagues respect him. But one day, his life abruptly changes: he is declared a criminal. The Captain manages to run away before he is arrested. Suddenly he turns into an outcast, whom his former colleagues search across the whole city. At night Volkonogov is visited by a messenger from the other world, who warns him that after death he will go hell and be tormented forever. But he has an opportunity to change his fate and get to paradise if he repents, and at least one person forgives him. The Captain embarks on his way to find forgiveness. But he cannot even fathom what tests are awaiting him on this way.

Lisa is going through a divorce: her husband found a younger woman and left her with two preschool-age boys. Just when things begin to settle down after the breakup, Lisa receives a strange call from a woman that calls herself her aunt, despite Lisa's growing up in an orphanage and never knowing her relatives. The woman tells Lisa that her bloodline is under a curse that kills all of its offspring. The only way to escape the curse is to abandon the children. Lisa thinks it's a conspiracy her ex-husband planned to get full custody, so she throws the woman out.

An attractive young coroner involves herself in a strange relationship with s.e.x, desires, and deaths. The phantasmagoria filled with gore, e.r.o.t.i.c, and mystery unfolds during the serial killer search. The viewer has to guess, who the main protagonist is, and what part is she playing - a victim, a killer, or a mere witness?

Dovlatov charts six days in the life of a brilliant, ironic writer who saw far beyond the rigid limits of 70s Soviet Russia. Sergei Dovlatov fought to preserve his own talent and decency with poet and writer Joseph Brodsky, while watching his artist friends got crushed by the iron-willed state machinery.

Leningrad, one summer in the early eighties. Smuggling LPs by Lou Reed and David Bowie, the underground rock scene is boiling ahead of the Perestroika. Mike and his beautiful wife Natasha meet with young Viktor Tsoï. Together with friends, they will change the destiny of rock’n’roll in the Soviet Union.

Russia 2017. The world could be on the verge of a great war. People are anxious that things could fall apart. Evolving around an unfinished building, a diverse group of outsiders struggle to find their place in this rapidly changing society, making up the mosaic of existence that is life itself…

Five short love stories, which become a statement of the directors about love. A shoemaker, a reporter, a pavement hooker-in, a psychiatric patient and a young man released from prison are the main characters of the film, heroes in a time of no heroes. All of them have the important qualities of being openhearted and not afraid of loving.

Young Alisa is fed up with her life in Moscow, and moves to St. Petersburg. Her roommates in the collective flat are two junkies, Vel and her boyfriend Valera the Dead Man. First they fight, but soon the two women form a friendship. Together they even go after the Petersburg underworld when Dead Man is abducted because he can't pay his debts.

A musical retro drama. The story of the heroes of the film "Everyone is Dancing!" is inspired by the poetry of Leningrad lyricists of the 50s and 60s and partly by the motives of Fazil Iskander's story "Retribution". The film tells about the Ligovka district of St. Petersburg, known to every resident of St. Petersburg as a place where punks live.
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