Carlos Gregório

In four stories inspired by humorous tales by Ariano Suassuna, each created based on phrases by the poet from Paraíba, we meet Helder, Fabiano, Pierce and Lorena, living different situations where, ironically, the lie is always the protagonist.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

32 renowned Brazilian screenwriters of the contemporary Brazilian cinema talk about their creative processes. From the concept of script to their agreements and disagreements, going through their experiences with filmmakers, their reaction to the finished film, critic, and even controversies on auteurism.

Documentary about Brazilian poet Carlos Drummond de Andrade, and the many facets of his work.

No plot available for this movie.

The affectionate relationship between mentor Alberto and his favorite pupil Polydoro is disturbed by Alberto's marriage to Helena, with life-changing and long-lasting consequences for all of them.

Kira is a botanist with magical abilities, though the origins of her powers remain unknown to her. Her life takes an unexpected turn when her friend Nanda discovers an elf named Damiz trapped in her room. They soon learn that Damiz is the prince of the elves and has been captured by Gorgon, a greedy executive who seeks to purchase the house where Nanda’s family lives. In order to help defeat Gorgon, Kira decides to venture into the world of the elves, where she uncovers hidden secrets about her past.

Three days in the life of a young clarinetist (Fernando Alves Pinto), who is in love with a violinist (Vera Zimmerman), but can't get her attention. In the first day he feels alone and frail; in the second day what was supposed to be pleasant becomes a nightmare; in the third day he finally achieves fulfillment through music and helps a pianist (Vera Holtz) who is rehearsing for a concert. These three days correspond to a three movement sonata - the director (Lina Chamie) is a musician, so she imprinted a musical structure to her movie, with few dialogs and poetic images. It's a movie for music lovers. Written by CeciliaWolf

Set to the intoxicating rhythms of Brazil, "Woman on Top" is a spicy, sexy comedy about the magic of food, love and music. Meet Isabella, a sultry enchantress born with the special gift of melting the palates and hearts of men everywhere. When she decides to break free from her rocky marriage and the stifling kitchen of her husband's restaurant in Brazil, she spirits off to San Francisco in pursuit of her dreams of a real culinary career.

A movie about a Brazilian entrepreneur who rivalled American's richest man at his time, well-known Rockfeller. Irineu Evangelista de Souza in 1867 had $155.000 contos de reis, meanwhile the Brazilian Governement annual budget was 97.000 contos de reis. The movie shows his life from poverty to riches and back to poverty again, as is common in Brazil, rich people die poor.