Noorlinah Mohamed

Art student Ian Jing impresses the realism-loving art teacher Mrs. Hui from the get-go. Following her advice, he draws exactly what he sees, straining his eyes in the process. To Mrs. Hui’s horror, Ian’s artwork gets progressively blurrier. In turn, his online fame skyrockets, as art critics on social media praise his unique style as an abstract artist. They ascribe deep, profound (pretentious) intentions and meanings to his stylistic choices, when all he's actually doing is drawing exactly what he sees.

A retired civil servant in Singapore resorts to desperate measures to prevent his house’s demolition for a new train line.

Ah Bee goes on a comedic odyssey through Tiong Bahru Social Club, a data-driven project to create the happiest neighborhood in the world. Little by little, his encounters with the neighborhood's residents reveal the absurdity of life.

Rosie Wong, a blind woman, shares a retrospective account about the three lives which shaped her life. Taking inspiration from ‘The Giving Tree’, her life is significantly changed by a kind stranger, Pak Cik Tubi Moh Salleh, who helped her get to work everyday for 5 years. Pak Cik Tubi continued this good deed for the next few years, tirelessly helping Madam Rosie.

In Frankfurt, Lailani, now 65, awaits a plane to Manila. She's returning home to the Philippines for the first time in 30 years. En route, she delays her return by stopping over in Singapore. Her interactions with her fellow Filipinos help her reflect on the nature of her loss, the cycle of sacrifice and longing that marks them all. Gripped by the fear of returning home to a life she has left behind but is still intricately connected to, she finds moments of enchantment among other lost souls. They've created their ways of living with disenchantment through a Dreamtime that shelters them from the storms of trauma.