Ernest Thesiger

Famous Monster takes a fast-paced, colorful look at the life of science fiction's greatest fan - Forrest J. Ackerman, whose 85 year love affair with the genre helped bring it into the mainstream and shape the way we view science fiction today.

A documentary about the era of classic monster movies that were made at Universal Studios during the 1930s and 1940s.

Bruce Conner’s most celebrated film for a reason: it takes historical moments that were replayed over and over on television—chilling repetition of Kennedy assassination coverage—and repurposes them into a meditation on how the media tries to exert authority and apply a sense of order to the anarchic. And though it may sound perverse to say so, the film is also—not incidentally—a thrill to watch. -- The A.V. Club

Critics and the public say Karen Stone is too old -- as she approaches 50 -- for her role in a play she is about to take to Broadway. Her businessman husband, 20 years her senior, has been the angel for the play and gives her a way out: They are off to a holiday in Rome for his health. He suffers a fatal heart attack on the plane. Mrs. Stone stays in Rome. She leases a magnificent apartment with a view of the seven hills from the terrace. Then the contessa comes calling to introduce a young man named Paolo to her. The contessa knows many presentable young men and lonely American widows.

Angela Barrows is a man-eating business woman sent by her American employer to investigate their export opportunities in Edinburgh. En route she meets Robert MacPherson, a businessman who asks for her help to bring his company into the 20th Century. The staff, led by Mr Martin, has other ideas—and a battle between the old and new business methods soon breaks out.

The son of a working-class British mining family has dreams of pursuing an art career, but when he strikes up an affair with an older, married woman from the town it enrages his kind but possessive mother.

Saville is told by a palm reader he is doomed to become a murderer at some future time. He decides to get the inevitable out of the way before his upcoming society wedding, and goes about attempting the crime on several likely victims.

Gulley Jimson is a boorish aging artist recently released from prison. A swindler in search of his next art project, he hunkers down in the penthouse of would-be patrons the Beeders while they go on an extended vacation; he paints a mural on their wall, pawns their valuables and, along with the sculptor Abel, inadvertently smashes a large hole in their floor. Jimson's next project is an even larger wall in an abandoned church.

Losing out to Dr. Bingham (Michael Medwin) in a competition for house surgeon when he offends a member of the board, young Dr. Simon Sparrow (Dirk Bogarde) finds himself going from post to post, filling in for other physicians. At one distant country post, he is taken aback when he works with a patient whose husband died after Simon treated the man years before. In another hospital, Simon examines a surprisingly mature teen and also tries courting devoted nurse Nan McPherson (Shirley Eaton).

A man recalls his relationships with the women he loved as he tries to help another man try to understand them as well.