Hervé Vilard (born René Villard; 24 July 1946 in Paris, France) is a French pop–singer, who first became famous in the 1960s. His first single "Capri c'est fini" became an international hit in 1965 and rendered him instantaneously famous. The song sold 3.3 million copies. Nous (1979), Reviens (1981) and Méditerranéenne (1983) are among his other big hits. He is famous in Latin America, as he settl...
Explore all movies appearances
Drinking, dancing and... killing me. It's the new life my neighbour Jose has decided to live. What better way to escape boredom than coming to kill me every thursday? His wife, Lucie, prefers to go to a shrink. To each their own therapy.
In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.
This document proposes an immersion in the French society of the 60s and 70s and in the youth of the time with the testimonies and confidences of Sheila, Salvatore Adamo, Antoine, Hervé Vilard, Michel Fugain, Nicoletta, Michel Jonasz, Laurent Voulzy and the photographer Tony Frank. They tell with hindsight and humor, their beginnings in the 60s and 70s, and before becoming idols. It is also an opportunity to leaf through the pages of the successful magazines of the time "Salut les copains" and "Mademoiselle Age tendre". Created by Daniel Filipacchi, they highlighted the idols of the moment, music, fashion, sexuality, consumer objects and questions about society.
No plot available for this movie.
Bourgoin uses Philippe to attract customers from another establishment to the nightclub he wants to open in Pigalle.
Subscribe for exclusive insights on movies, TV shows, and games! Get top picks, fascinating facts, in-depth analysis, and more delivered straight to your inbox.