Nedim Nezirović

A drug smuggling crew from Bosnia-Herzegovina faces chaos when a Syrian migrant's explosives attract ISIS terrorists into the country, forcing them into a deadly game of loyalty and survival on the Bosnia and Herzegovina-Croatia border.

The film follows the life of Mijo and his family in a poor Croatian village, during the turbulent years of World War II. The non-linear and elliptical plot gradually forms a clear picture that testifies to the eternal cycle of history and the impossibility of a real change in the Balkans.

The film follows the story of Hadzi Trifun, a prominent Serbian merchant, who tries to keep the peace with the Turkish authorities, but also maintains his reputation and influence in Vranje, an important Turkish town near the border with liberated Serbia. While Trifun is preparing his two sons to succeed him as the leaders of the Serbian people, he is suffering not only from powerful Turkish beys, but also from his family. Trifun makes difficult decisions that will later affect his descendants, the heroes of the novel Impure Blood by Serbian writer Bora Stankovic.

The drama "Spring in January" is a story about families who started hiding in underground chambers during the Nazi occupation of Belgrade. With the help of adventurous profiteer Mark, they produce weapons for the resistance movement. This work continues even after the war, because their "benefactor" releases fictitious reports on German victories in order to maintain underground production and continue to get rich. Marko manages to convince his best friend Crni (Black) to stay hidden in the basement so that he can keep Natalia for himself, the woman they both love. After twenty years, Crni finds a way out into the "upper world". Although it is 1961, Crni believes that the Nazis are still in power because they managed to make a film showing the German occupation.

TV movie "Belgrade Trilogy" dedicated to young people who emigrated from Serbia. In essence, it is a story that deals with the drama of emigration and the loss of one's own roots. The three stories that change during New Year's Eve 1996, 1999 and 2018 represent three characteristic episodes of an entire generation that grew up between hatred, violence and death and left Serbia to follow the hope of a "possible" life. Their destinations are different and distant from each other (Prague, Sydney, Los Angeles), but this drama shows that in the "global" world there is not much difference in the places of residence of our young diaspora. In these three stories, the characters are connected by the same destiny: fitting in, or rejecting into a new reality, and sharing the pleasures and unrest of everyday life with their peers.