Eduardo De Filippo

De Filippo agreed to teach a series of drama classes to the students of the Università di Roma Sapienza, with whom he would continue to collaborate until his death in 1984. The lessons were all recorded and today are preserved in the Archivio Audiovisivo dello Spettacolo, at the Labs (Laboratorio Audiovisivo dello Spettacolo) run by Professor Stefano Locatelli.

Geronta Sebezio is revered by his fellow villagers for his miraculous ability to bring the dead back to life. However, anyone who wishes to benefit from this gift must sign a contract.

Donna Beatrice is determined to expose her husband's alleged affair with the beautiful wife of the scribe Ciampa. The woman, heedless of her own family peace and the reputation of the scribe, who tries in vain to stop her, carries out a plan that does not confirm the adultery but, on the contrary, causes a huge scandal. Ciampa finds himself "forced," finding no other solution, to kill the two alleged lovers, driven by Beatrice's "madness." It is precisely from this "madness," however, that Ciampa will find a way to free himself from dishonor and a crime committed lightly.

Traces the life of Anna Magnani, her creations, her successes, her triumphs, her boycotted career, her nonconformism, her anxieties, her generosity ... Punctuated with photos that tell her career in theater and cinema, Extracts of films, this documentary portrait also gives the floor to his friends and relatives, from Roberto Rossellini to Marcello Mastroianni, through Federico Fellini.

Antonio Barracano is a man who enforces his own law in the Sanità district, which is why he is recognized as the neighborhood's "mayor." He dispenses advice and opinions and solves the problems of poor people.

Two wise guysmanage a messed up underground casino and brothel. A "hunting club" as a cover up. The place is frequented by all kind of characters, from the Neapolitan upper class to the petty criminals, who use it as a base and such is the turmoil that it will not take much to blow the cover up.

The comedy, centered on five characters (Rita, Rodolfo, Agostino, Bettina, and Don Attilio - "o viecchio pazzo"-), has as background the Italy of the 60s between the economic boom and the perennial unemployment crisis. The cylinder, well explained by "Agostino-Eduardo" in the comedy, is a representation of power, designed to intimidate the ignorant for its only evocative "power". It can also be seen as a sort of "Pirandellian mask", where the character of Augustine wears it to defend himself and represent something that he is not.

Having withdrawn his complaint from the police station, Alberto now finds himself in trouble: the public prosecutor, suspicious, believes that he acted in this way out of fear or something else.

No plot available for this movie.

Oreste Campese is the leader of a traveling troupe of actors—made up of his family—who find themselves in the middle of winter in an unspecified town in central Italy. During the prologue, Campese recounts the events leading up to the present: the troupe has suffered the misfortune of losing their "shed," a mobile theater structure that was destroyed by an accidental fire. The flames spared only the boxes of props and costumes, which were opportunely saved.